 Willem de Kooning Two Trees on Mary Street 1975 oil on canvas Queensland Art Gallery, Brisbane |
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| Allan Harrison Citadelle de Québec 1975 oil on canvas Musée National des Beaux-Arts du Québec |
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| Eliot Porter Argentine Islands, Antarctic Peninsula 1975 dye transfer print National Gallery of Australia, Canberra |
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| Eliot Porter Ice Cave, Ross Island, Antarctica 1975 dye transfer print National Gallery of Australia, Canberra |
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| Roger Scott Queenscliff 1 1975 gelatin silver print National Gallery of Australia, Canberra |
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| Roger Scott Queenscliff 2 1975 gelatin silver print National Gallery of Australia, Canberra |
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| John Scurry Things, Things, Things 1975 etching Heide Museum of Modern Art, Bulleen, Australia |
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| Richard Yates Sky Wedge 1975 screenprint Art Gallery of Greater Victoria, British Columbia |
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| Roberta di Camerino Trompe-l'oeil Dress 1975 printed wool jersey Royal Ontario Museum, Toronto |
-with-design-by-Jean-Cocteau-1975-screenprinted-silk-damask-National-Gallery-of-Victoria-Melbourne.jpg) |
| Ascher Ltd. (London) Scarf with design by Jean Cocteau 1975 screenprinted silk damask National Gallery of Victoria, Melbourne |
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| Pierre Molinier Self-Portrait with Mannequin 1975 C-print Queensland Art Gallery, Brisbane |
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| Arnold Newman Larry Rivers 1975 gelatin silver print San Diego Museum of Art |
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| Anonymous Spanish Artist Will Penny - El Solitario 1975 screenprint (poster for Charlton Heston film) National Gallery of Australia, Canberra |
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| Margaret Lock Cordelia braids her hair - Lear's daughters prepare for Act One 1975 woodcut Agnes Etherington Art Centre, Kingston, Ontario |
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| Jill Crossley Change-over 1975 gelatin silver print Art Gallery of New South Wales, Sydney |
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| Ian Dodd Mirror Image 1975 gelatin silver print Art Gallery of New South Wales, Sydney |
from New Year Letter
Blake shouted insults, Rousseau wept,
Ironic Kierkegaard stared long
And muttered "All are in the wrong,"
While Baudelaire went mad protesting
That progress was not interesting
And thought he was an albatross,
The great Erotic on the cross
Of Science, crucified by fools
Who sit all day on office stools,
Are fairly faithful to their wives
And play for safety all their lives,
For whose Verbürgerlichung of
All joy and suffering and love
Let the grand pariah atone
By dying hated and alone.
The World ignored them; they were few,
The careless victor never knew
Their grapevine rumour would grow true,
Their alphabet of warning sounds
The common grammar all have grounds
To study; for their guess is proved:
It is the Mover that is moved.
– W.H. Auden (1940)