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| Julius Hübner Portrait of painters Karl Friedrich Lessing, Carl Ferdinand Sohn and Theodor Hildebrandt 1839 oil on canvas Alte Nationalgalerie, Staatliche Museen zu Berlin |
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| Wilhelm Schadow Self Portrait, with the artist's brother Rudolf and sculptor Bertel Thorvaldsen ca. 1815-16 oil on canvas Alte Nationalgalerie, Staatliche Museen zu Berlin |
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| Ottilie Roederstein The Three Ages of Man ca. 1910 tempera on cardboard Von der Heydt Museum, Wuppertal |
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| Andrew Pilmer Miniature Portrait of the Daughters of Lord Northwick ca. 1805 watercolor on ivory Huntington Library and Art Museum, San Marino, California |
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| Marco Liberi Berenice sacrificing her Hair ca. 1675 oil on canvas National Museum, Warsaw |
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| Rembrandt and workshop Sacrifice of Isaac 1636 oil on canvas Alte Pinakothek, Munich |
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| Anonymous Italian Artist Ecce Homo 17th century etching Hamburger Kunsthalle |
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| Jan Kupecký Self Portrait with the artist's Wife and Son ca. 1718-19 oil on canvas Museum of Fine Arts, Budapest |
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| Antoine Pesne Self Portrait with Daughters 1754 oil on canvas Gemäldegalerie, Staatliche Museen zu Berlin |
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| Antonio Paroli Angel appearing to Hagar and Ishmael ca. 1740 oil on canvas National Gallery of Slovenia, Ljubljana |
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| Piet Ouborg Still Life with Masks ca. 1950 oil on canvas Dordrechts Museum |
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| Anonymous Netherlandish Artist Portrait of a Woman with two Orphan Boys 1568 oil on panel Museum Gouda |
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| Ivan Olinsky Adoration ca. 1919 tempera on canvas Chrysler Museum of Art, Norfolk, Virginia |
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| Jacek Malczewski The Polish Hamlet (Portrait of diplomat Aleksander Wielopolski) 1903 oil on canvas National Museum, Warsaw |
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| Lucebert (Lubertus Jacobus Swaanswijk) Trio 1962 oil on canvas Dordrechts Museum |
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| Titian Posthumous Portrait of Pope Alexander VI Borgia presenting Bishop Jacopo Pesaro to St Peter ca. 1506-1510 oil on panel Royal Museum of Fine Arts, Antwerp |
Ce ne fut pas Bourdon, ce fut Proli qui parla. Il fit taire Bourdon; il se tourna à demi vers Collot et lui fit une brève question à voix basse, où Corentin crut entendre les mots de confiance et de secret. Oui, dit plusieurs fois Collot d'une voix haute et firme. Proli regarda Corentin avec ce mélange de dégoût et de considération qu'il suscitait souvent, contre son gré ou pas, on ne l'a jamais su. Il dit:
– Tu veux honorer une commande, citoyen peintre?
La question le surprit et l'amusa. Elle le rajeunit aussi.
– Pierre Michon, from Les Onze (Verdier, 2009)