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Francesco Albani St Ursula ca. 1640 oil on canvas Alte Pinakothek, Munich |
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Edward Burne-Jones Love ca. 1880-90 watercolor on paper (design for needlework) Victoria & Albert Museum, London |
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William Nicholson and James Pryde Harper's Magazine 1895 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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Albert Knab Die Woche (magazine) ca. 1899-1903 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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Alexei von Jawlensky Young Woman with Flowered Hat 1910 oil on cardboard Graphische Sammlung Albertina, Vienna |
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Hollerbaum & Schmidt (printers) Hexenfeuer (motion picture) 1912 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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Richard Mortensen Ajaccio 1959 oil on canvas Museum Ludwig, Cologne |
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Arne Ekeland In the Hall of the Mountain King 1964 acrylic on paper Stavanger Kunstmuseum, Norway |
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Leonard Rickhard Evening Sun 1973-74 oil on canvas Nasjonalmuseet, Oslo |
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Ola Billgren Osteria 1994 oil on canvas Nasjonalmuseet, Oslo |
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Atle Folstad Untitled 1994 gouache on paper KORO (Public Art Norway), Oslo |
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Grethe Unstad Lemon 1998 oil on canvas KORO (Public Art Norway), Oslo |
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Ina van Zyl Vine Tomatoes 2005 oil on canvas Dordrechts Museum |
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Snorre Ytterstad Study of the Red Square: Painterly Realism of a Peasant Woman in Two Dimensions 2011 acrylic on plywood Nasjonalmuseet, Oslo |
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Hanne Borchgrevink Red House Shape 2013 color woodblock print Lillehammer Kunstmuseum, Norway |
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Reidun Tordhol Still Life 2014 oil on canvas Lillehammer Kunstmuseum, Norway |
from Red Stains
In a pyloned desert where the scorpion reigns
My love and I plucked poppies breathing tales
Of crimes now long asleep, whose once-red stains
Dyed stabbing men, at sea with bloody sails.
My love and I plucked poppies breathing tales
Of crimes now long asleep, whose once-red stains
Dyed stabbing men, at sea with bloody sails.
– Allen Tate (1919)