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| Eija-Liisa Ahtila Laugh 2000 C-print Moderna Museet, Stockholm |
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| Per Christian Brown Snow and Fire 2005 C-prints Nordnorsk Kunstmuseum, Tromsø |
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| Robert Delaunay Fenêtres sur la Ville 1912 oil on canvas Museum Folkwang, Essen |
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| Chris van der Windt Ornamental Frieze with Daffodils 1898 watercolor Museum De Lakenhal, Leiden |
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| Günther Förg Coney Island 2000 acrylic on canvas Moderna Museet, Stockholm |
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| Crispin Gurholt Gallery View - Lillehammer Kunstmuseum 2012 C-print Lillehammer Kunstmuseum, Norway |
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| Bjarne Holst Three Versions of Judas 1991 oil on canvas Nordnorsk Kunstmuseum, Tromsø |
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| Anonymous Artist working in Mantua Sarcophagus Relief with Bacchus and Ariadne ca. 1475-1500 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Raphael The School of Athens 1509 drawing (largest surviving Renaissance fresco cartoon) Pinacoteca Ambrosiana, Milan |
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| Gerhard Richter Bach 1-4 1992 oil on canvases Moderna Museet, Stockholm |
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| Roman Empire Sarcophagus Panel with the Labors of Hercules AD 190-200 marble relief Gallerie degli Uffizi, Florence |
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| Cindy Sherman Untitled #92 1981 C-print Nasjonalmuseet, Oslo |
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| Werner Tübke Sicilian Landowner with Puppets 1972 oil on panel Galerie Neue Meister (Albertinum), Dresden |
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| Jeff Wall Staircase and Two Rooms 2014 C-prints (installation view) Moderna Museet, Stockholm |
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| Bartholome Zeitblom Virgin and Child with St Anne, flanked by St Barbara, St Margaret, St Dorothea and Mary Magdalen ca. 1511 oil on panel Alte Pinakothek, Munich |
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| Paul Signac Le Pont des Arts, Paris 1928 oil on canvas Musée Carnavalet, Paris |
Now it was clear to everyone with any sense that these apparitions and noises were the work of Pan and that he had some grudge against the sailors. But they couldn't work out the reason; for they hadn't plundered any shrine of Pan. But then, around midday, the general fell asleep (not without divine prompting), and Pan himself appeared to him and spoke in this way.
"Most unholy and impious of men, what madness has driven you to act so recklessly? You've filled the countryside I love with war; you've driven off herds of cows, goats, and sheep that are under my care; you've dragged from the altars a girl whom Love wants to make the subject of a story; and you showed no shame before the Nymphs when they watched what you did, or before me – Pan. If you sail on with these spoils, you'll never see Methymna, nor will you escape this piping that has made you so panic-stricken. Instead I shall sink your ship and make you food for the fish unless, immediately, you hand back Chloe to the Nymphs and the flocks to Chloe, both the goats and the sheep. So get up and put the girl ashore, together with the animals I spoke of. I myself will be your guide on sea, and hers on land."
– Longus, from Daphnis and Chloe (2nd century AD), translated from Greek by Christopher Gill (1989)