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| Anonymous French Artist Portrait of Charles, Cardinal de Bourbon ca. 1580 oil on panel Musée Carnavalet, Paris |
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| attributed to Sandro Botticelli Portrait of a Young Woman ca. 1475-80 tempera on panel Gemäldegalerie, Staatliche Museen zu Berlin |
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| Thomas Couture Head of a Woman ca. 1855-60 oil on canvas Museum of Fine Arts, Boston |
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| Johann Christoph Erhard Portrait of Georg Ernst Harzen (art collector and dealer) 1820 drawing Hamburger Kunsthalle |
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| Henry Goodwin Portrait of film star Anders de Wahl 1919 photogravure Moderna Museet, Stockholm |
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| Lucien-Victor Guirand de Scévola Stella 1899 watercolor and gouache on paper Musée des Beaux-Arts de Reims |
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| Anonymous Florentine Artist Profile Portrait of a Young Woman ca. 1450-1500 sandstone relief Bode Museum, Berlin |
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| Carl Lohse Portrait of a Child ca. 1920 oil on canvas Galerie Neue Meister (Albertinum), Dresden |
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| Aristide Maillol Peasant Girl 1891 oil on canvas Musée des Beaux-Arts de Reims |
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| Johann Ulrich Mayr Woman with Basket of Fruit ca. 1663-70 oil on canvas Städel Museum, Frankfurt |
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| Monogrammist IW Portrait of a Young Man 1524 oil on panel National Museum, Warsaw |
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| Julius Oldach Portrait of sculptor Otto Sigismund Runge ca. 1829 oil on panel Hamburger Kunsthalle |
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| Piero della Francesca Portrait of Sigismondo Malatesta ca. 1450-51 tempera and oil on panel Musée du Louvre |
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| Piero del Pollaiuolo Portrait of a Lady ca. 1465 oil on panel Gemäldegalerie, Staatliche Museen zu Berlin |
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| Christine Schlegel Penthesilea 1984 oil on panel Galerie Neue Meister (Albertinum), Dresden |
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| Oskar Schlemmer H.K. 1926 1926 watercolor on paper Kupferstichkabinett, Staatliche Museen zu Berlin |
A few days later, the vines were harvested, the sweet new wine was in jars, and there was no longer any need for many hands. Daphnis and Chloe drove their flocks down to the plain and, in a happy mood, worshipped the Nymphs, bringing them bunches of grapes still on the shoots as firstfruits of the grape harvest. Not that they ever went past them and neglected them before; they always visited them when they went to pasture and worshiped them when they left the pasture and without fail brought them some kind of offering, a flower or a fruit or some green leaves or a libation of milk. For this, they received a reward from the goddesses later on. But at that time, as people say, "The dogs were let off the lead": they jumped, played the pipes, sang, and wrestled with their goats and sheep.
– Longus, from Daphnis and Chloe (2nd century AD), translated from Greek by Christopher Gill (1989)