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| Lee Krasner Still Life 1938 oil on paper National Gallery of Australia, Canberra |
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| Anonymous Photographer Lee Krasner in the Studio ca. 1938 photographic print Archives of American Art, Washington DC |
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| Lee Krasner Abstract no. 2 ca. 1946-48 oil on canvas Institut Valencià d'Art Modern, Spain |
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| Lee Krasner Untitled 1947 oil and enamel on linen Whitney Museum of American Art, New York |
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| Lee Krasner Desert Moon 1955 oil and collage on canvas Los Angeles County Museum of Art |
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| Lee Krasner Birth 1956 oil on canvas Reynolda House Museum of American Art, Winston-Salem, North Carolina |
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| Lee Krasner The Seasons 1957 oil paint and house paint on canvas Whitney Museum of American Art, New York |
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| Lee Krasner The Guardian 1960 oil paint and house paint on canvas Whitney Museum of American Art, New York |
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| Anonymous Photographer Lee Krasner with Jackson Pollock's Number 5 (1952) ca. 1960 photographic print Archives of American Art, Washington DC |
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| Lee Krasner The Civet 1962 lithograph Whitney Museum of American Art, New York |
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| Lee Krasner Pollination 1968 oil on canvas Dallas Museum of Art |
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| Lee Krasner Primary Series: Rose Stone 1969 lithograph Walker Art Center, Minneapolis |
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| Lee Krasner Untitled 1970 lithograph Smithsonian American Art Museum, Washington DC |
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| Lee Krasner Free Space (Deluxe), Pink 1975 screenprint Dallas Museum of Art |
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| Lee Krasner Free Space #3 1975 screenprint NSU Art Museum, Fort Lauderdale, Florida |
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| Lee Krasner Free Space 1976 screenprint Whitney Museum of American Art, New York |
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| Lee Krasner Painting Show at P.S. 1 1977 screenprint (poster) National Gallery of Australia, Canberra |
from The Will
(Only last night a person more urbane
Than usual was heading for the Seine.
Here was one façade he seemed to know
From times he'd seen it all aglow
And heard its old chronologist pronounce
It not the present but the thought that counts.
He rang impulsively. No bell
Resounded from within the dark hotel.
Its front door, Roman-numeralled,
Still said, "I" in white-on-emerald.
Some humbler way into the edifice
Was chalked just legibly "Ibis."
Steam from a sudden manhole bore
Wetness to the dream. I woke heartsore.)
– James Merrill (1976)