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| Ernst Ludwig Kirchner Two Heads ca. 1910 woodcut High Museum of Art, Atlanta |
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| Ernst Ludwig Kirchner Neue Secession (Hercules strangling Serpents) 1910 woodcut (poster) Graphische Sammlung Albertina, Vienna |
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| Ernst Ludwig Kirchner The Patient in the Night ca. 1920-22 oil on canvas Sprengel Museum, Hannover |
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| Ernst Ludwig Kirchner Two Women in the Street 1914 oil on canvas Kunstsammlung Nordrhein-Westfalen, Düsseldorf |
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| Ernst Ludwig Kirchner The Sisters 1913 oil on canvas Städel Museum, Frankfurt |
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| Ernst Ludwig Kirchner Bavarian Forest Lake 1911 oil on canvas Pinakothek der Moderne, Munich |
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| Ernst Ludwig Kirchner Cover for Umbra Vitae by Georg Heym 1924 color woodblock print on yellow linen Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Ernst Ludwig Kirchner Portrait of Dr Carl Hagemann ca. 1928-33 oil on canvas Städel Museum, Frankfurt |
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| Ernst Ludwig Kirchner Street Scene by Night 1925 oil on canvas Kunsthalle Bremen |
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| Ernst Ludwig Kirchner Bathing Woman ca. 1910-11 oil on canvas Kunsthalle zu Kiel |
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| Ernst Ludwig Kirchner Erich Heckel and Model in the Studio 1905 oil on canvas Brücke Museum, Berlin |
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| Ernst Ludwig Kirchner Brown Figures in a Cafe 1928-29 oil on canvas Museum Ludwig, Cologne |
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| Ernst Ludwig Kirchner Four Wooden Sculptures 1912 oil on canvas Dallas Museum of Art |
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| Ernst Ludwig Kirchner Interior with Two Women 1926 oil on canvas Germanisches Nationalmuseum, Nuremberg |
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| Ernst Ludwig Kirchner Forest in Winter ca. 1925-26 oil on canvas Wallraf-Richartz Museum, Cologne |
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| Ernst Ludwig Kirchner In a Cafe 1904 color woodblock print Brücke Museum, Berlin |
Pelasgus: Truly this business is hard to wrestle with, in all sorts of ways; a host of trouble is coming at me like a river in spate. This is a bottomless sea of ruin, certainly not easily crossable, that I have stepped into, and nowhere is there a safe haven from trouble. If I do not perform this thing for you, you have threatened me with a pollution terrible beyond compare;* if, on the other hand, I take my stand in front of the sons of Aegyptus, it will indeed be a bitter loss that the ground should be stained with men's blood on account of women. All the same, there is no alternative but to respect the wrath of Zeus god of suppliants; the fear of him is the greatest fear a mortal can have. You now, aged father of these maidens, approach the altar, quickly take these boughs in your arms, and place them on the other altars of our native gods, so that all the citizens may see the evidence of this supplication and no hostile words be thrown out against me – for the people are very inclined to criticize their rulers. Perhaps those who see them will take pity and detest the outrageous behaviour of that band of males, and the people be more friendly towards you. Everyone has kindly feelings for the underdog.
[Danaus with the boughs from the altar in his arms, descends from the mound]
Danaus: We value this highly, to have secured a respectful, beneficent sponsor. But please send with me some attendants and guides from among the natives, so that we can find the altars in front of the temples of the gods who dwell in the city and their abodes, and so that we may be safe as we walk through the city. Our form and appearance are not at all similar: the Nile does not breed a race resembling that of the Inachus.** Take care, in case confidence gives birth to fear. People have been known to kill a friend through ignorance.
Pelasgus: Go men, what the stranger says is right. Take him to the city altars and the abodes of the gods. And you must not be talkative with those you meet while escorting this man who took sanctuary at the gods' hearth.***
– Aeschylus, from Suppliants (ca. 470-460 BC), translated by Alan H. Sommerstein (2008)
*the pollution is that which the Danaids' dead bodes would bring upon the shrine
**principal river of Argos
***plainly implying that he wants the escorts to say nothing about Danaus except that he is a suppliant, which will be obvious anyway from the boughs – Pelasgus does not wish any further information about the affair to become public until he presents it himself at the forthcoming assembly meeting