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| Margaret Tomkins Untitled 1989 acrylic on canvas Tacoma Art Museum, Washington State |
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| Tom Wesselmann Fast Sketch Still-Life with Abstract Painting 1989 screenprint Lowe Art Museum, University of Miami |
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| Gerhard Richter Cologne Poster 1989 offset print Dallas Museum of Art |
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| John Pearson Unfolding #2 1989 screenprint San Jose Museum of Art, California |
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| Andrew Spence Red, White and Black 1989 aquatint Lowe Art Museum, University of Miami |
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| Co Westerik Flower with Raindrops 1989 oil paint, acrylic paint and tempera on canvas Kunstmuseum, The Hague |
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| Eric Orr Upper India 1989 oil on canvas Orange County Museum of Art, Costa Mesa, California |
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| Daniel Pommereulle 1793 1989 lithograph (Bicentennial of the French Revolution) Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève |
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| Bernard Rancillac David 1989 screenprint (Bicentennial of the French Revolution) Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève |
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| Shellburne Thurber Aunt Anna's House - Stripped: The Pink Study 1989 C-print Institute of Contemporary Art, Boston |
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| Anne Marie Beretta Dress 1989 linen Denver Art Museum |
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| Ursula von Rydingsvard Five Mountains 1989 cedar Walker Art Center, Minneapolis |
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| Philip Trager Arthur Aviles 1989 gelatin silver print Portland Museum of Art, Maine |
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| Arnold Newman Helen Frankenthaler 1989 gelatin silver print San Diego Museum of Art |
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| Leonid Sokov Dog with World 1989 wood and found objects Nasher Museum of Art, Durham, North Carolina |
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| Gail Thacker Mark Morrisroe in Bed 1989 C-print Institute of Contemporary Art, Boston |
from Ischia
Noble are the plans of the shirt-sleeved engineer,
but luck, you say, does more. What design could have washed
with such delicate yellows
and pinks and greens your fishing ports
to the rigid fold of her skirts? The boiling springs
which betray her secret fever,
make limber the gout-stiffened joint
and improve the venereal act; your ambient peace
in any case is a cure for, ceasing to think
of a way to get on, we
learn to simply wander about
by twisting paths which at any moment reveal
some visual as an absolute goal; eastward, perhaps,
suddenly there, Vesuvius,
looming across the bright bland bay
like a massive family pudding, or, around
a southern point, sheer-sided Capri who by herself
defends the cult of Pleasure,
a jealous, sometimes cruel, god.
– W.H. Auden (1948)







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