Showing posts with label grandmothers. Show all posts
Showing posts with label grandmothers. Show all posts

Monday, February 20, 2017

Modern Marbles

Giuseppe Mazzuola
Death of Adonis
ca. 1680-1710
marble
Hermitage, Saint Petersburg

Anonymous Italian sculptor working in Rome
St Teresa in ecstasy
ca. 1675-1725
marble
Hermitage, Saint Petersburg

Angelo Marinelli
Kneeling Angel
ca. 1675-1700
marble
Hermitage, Saint Petersburg

A Foreshortened Journey

I found the stairs somewhat more difficult than I had expected and so I sat down, so to speak, in the middle of the journey.  Because there was a large window opposite the railing, I was able to entertain myself with the little dramas and comedies of the street outside, though no one I knew passed by, no one, certainly, who could have assisted me.  Nor were the stairs themselves in use, as far as I could see.  You must get up, my lad, I told myself.  Since this seemed suddenly impossible, I did the next best thing: I prepared to sleep, my head and arms on the stair above, my body crouched below.  Sometime after this, a little girl appeared at the top of the staircase, holding the hand of an elderly woman.  Grandmother, cried the little girl, there is a dead man on the staircase!  We must let him sleep, said the grandmother.  We must walk quietly by.  He is at that point in life at which neither returning to the beginning nor advancing to the end seems bearable; therefore, he has decided to stop, here, in the midst of things, though this makes him an obstacle to others, such as ourselves.  But we must not give up hope; in my own life, she continued, there was such a time, though that was long ago.  And here, she let her granddaughter walk in front of her so they could pass me without disturbing me.

I would have liked to hear the whole of her story, since she seemed, as she passed by, a vigorous woman, ready to take pleasure in life, and at the same time forthright, without illusions.  But soon their voices faded into whispers, or they were far away.  Will we see him when we return, the child murmured.  He will be long gone by then, said her grandmother, he will have finished climbing up or down, as the case may be.  Then I will say goodbye now, said the little girl.  And she knelt below me, chanting a prayer I recognized as the Hebrew prayer for the dead.  Sir, she whispered, my grandmother tells me you are not dead, but I thought perhaps this would soothe you in your terrors, and I will not be here to sing it at the right time.

When you hear this again, she said, perhaps the words will be less intimidating, if you remember how you first heard them, in the voice of a little girl.

– Louise Glück, from Faithful and Virtuous Night (Farrar, Straus and Giroux, 2014)


Pietro Tenerani
Portrait of Grand Duchess Maria Nikolayevna
1845
marble
Hermitage, Saint Petersburg

Berthel Thorvaldsen
Cupid with Lyre
ca. 1800-1825
marble
Hermitage, Saint Petersburg

Lorenzo Lotti
Dead Boy supported by a Dolphin
before 1541
marble
Hermitage, Saint Petersburg

Saturday, January 30, 2016

Valentine Making 2016 Part 3


This third set of Valentines from the Valentine-making party today are from the hand of Mabel's Grandma, the most meticulous craftsperson at the table.











Wednesday, November 11, 2015

Pearls

Anonymous
Elizabeth, Queen of Bohemia
1613
National Portrait Gallery (U.K.)

Michael Janz. van Mierevelt
Elizabeth, Queen of Bohemia
1623
National Portrait Gallery (U.K.)

Curators at the National Portrait Gallery in London composed a fascinating paragraph about the pearsl in the 1623 portrait above of Elizabeth, daughter of King James I of England and sister of King Charles I. "In this portrait she may be shown wearing the famous Medici Pearls, also known as the Hanover Pearls, six strands joined together in a thick rope. The pearls have a long history. They were originally given to Catherine of Medici by Pope Clement VII; she in turn gave them to her niece, Mary, Queen of Scots. When Mary died the pearls were, it is thought, confiscated by Elizabeth I. On Elizabeth's death they passed to Mary's son James I who gave them to his daughter, Elizabeth of Bohemia. Elizabeth in turn gave them to her daughter Sophia on her marriage to the Elector of Hanover. The pearls returned to England with Sohpia's son George I, and remained here until the reign of Queen Victoria. Victoria refused to return the pearls to her uncle, the Duke of Cumberland, when he became the Elector. This led to a court case which lasted for twenty years and which was eventually settled in favour of Hanover. The pearls may never have been returned however. Queen Alexandra wore a choker of them and it is said that Elizabeth II has earrings and a diadem of the same provenance." 

Pope Clement VII was Catherine de Medici's uncle and the architect of her entry into France. He bought the pearls in 1523, six ropes of them, plus two dozen larger and particularly comely individual pearls (such as those studding  the coiffure of the Queen of Bohemia in the portrait at top). Two further portraits by Michael Janz. van Mierevelt (1567-1641) appear below, chosen for similar displays of pearls in heavy looping ropes.

Michael Janz. van Mierevelt
George Villiers, 1st Duke of Buckingham
ca. 1625
Art Gallery of South Australia

Michael Janz. van Mierevelt
Portrait of a woman
ca. 1620
Prado

Queen Elizabeth I was never short of pearls  with or without those of her kinswoman. The painting below is a colorful but in some ways unreliable image of Elizabeth in pearls. It was painted near the end of her life or shortly after her death, but then heavily repainted in the 18th century. I try to imagine the insane confidence of that late wielder of the brush who judged it best to obliterate the fabric wings supported on wire frames and the trailing veil that originally completed the Queen's costume in this portrait, as radiography reveals.  

Anonymous
Queen Elizabeth I
early 17th century portrait repainted in the 18th century
National Portrait Gallery (U.K.)

Gerrit van Honthorst
Elizabeth, Princess Palatinate
1640s
National Portrait Gallery (U.K.)

Elizabeth, Princess Palatinate (1618-1680) was "the eldest and most gifted" daughter of the Queen of Bohemia. She was not the daughter who inherited the famous pearls, although she may all the same be wearing some of them in the portrait above, since they were in the possession of her immediate family at the time the picture was made. This was the period of her friendship with Descartes, with whom she studied and whose patron she was. The Medici Pearls went to Sophia (1630-1714) the younger daughter (below) when she became Electress of Hanover.

Gerrit van Honthorst
Sophia, Princess Palatinate
1648
Royal Collection (U.K.)

Meanwhile, back in England, the Stuart court clung to the fetish for pearls. For most of the seventeenth century it was clearly all but inconceivable that an aristocratic portrait could be produced without a brave displays of pearls.

after Anthony van Dyck
Queen Henrietta Maria
ca. 1632-35
National Portrait Gallery (U.K.)

Peter Lely
Henrietta Anne, Duchess of Orleans (daughter of Charles I & Henrietta Maria)
ca. 1662
National Portrait Gallery (U.K.)

Peter Lely
Princess Mary, later Queen Mary II
1677
National Portrait Gallery (U.K.)

Although the curators spoke of Victoria's daughter-in-law Alexandra wearing a choker fabricated from some of the Medici Pearls, it could not be the one in the photograph below, because the individual pearls are obviously too small. In the next photograph, the short looped rope worn by the new queen at the old queen's funeral in 1901 are closer to the expected scale. One year later at her own coronation in 1902 Alexandra's distinguished bosom supported a profusion of pearls such as surely no previous monarch had ever attempted. Some of the Pope's pearls are surely hiding in there somewhere.

George Lafayette
Alexandra, Princess of Wales 
1897
National Portrait Gallery (U.K.)

W. & D. Downey
Queen Alexandra at Queen Victoria's funeral
1901
carte-de-visite
National Portrait Gallery (U.K.)

Anonymous
Queen Alexandra at her Coronation
1902
National Portrait Gallery (U.K.)

The final photograph shows Mary of Teck, the new Princess of Wales wearing mourning for Queen Victoria. Rather than the pearls, though (which we have seen before), the most striking aspect of the future Queen Mary's photograph is the startling resemblance of her youthful facial features to those of her granddaughter, the present Queen.

Anonymous
Mary, Princess of Wales
1901
National Portrait Gallery (U.K.)