Angel Fragment Painted alabaster, carved in England late 15th century Victoria & Albert Museum |
The Victoria & Albert Museum houses many devotional reliefs fashioned from English alabaster. These were produced for export and for local use at Nottingham and London and at other centers with alabaster quarries – until the Protestant Reformation put a stop to the entire industry of religious image-making in England.
A crisply-carved angel with red wings (above) originally occupied the lower right-hand corner of a relief that featured the Assumption of the Virgin. When this Virgin was smashed by enraged Protestants, there happened to be a deft and clever child standing by who was able to grab the angel and slip it into a safe pocket before anyone noticed. And that is why posterity has the chance to look upon it now, despite the best efforts of officious humanity to destroy it.
St Stephen with Stones Alabaster, carved in England 15th century Victoria & Albert Museum |
St. Barbara Alabaster, carved in England 15th century Victoria & Albert Museum |
St. James the Great Alabaster, carved in England 15th century Victoria & Albert Museum |
Seven prophets Alabaster, carved in England 15th century Victoria & Albert Museum |
A Bishop, with kneeling Donor Alabaster, carved in England 15th century Victoria & Albert Museum |
St. Catherine, the Beheading Alabaster, carved in England 15th century Victoria & Albert Museum |
St. Peter Receiving Souls Alabaster, carved in England 15th century Victoria & Albert Museum |
Assumption of the Virgin Alabaster, carved in England 15th century Victoria & Albert Museum |
Coronation of the Virgin Alabaster, carved in England 15th century Victoria & Albert Museum |
Coronation of the Virgin Alabaster, carved in England 15th century Victoria & Albert Museum |
Coronation of the Virgin Alabaster, carved in England c. 1400 Victoria & Albert Museum |