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| Jacopo Caraglio Ariadne 1526 engraving British Museum |
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| Anonymous printmaker Triumph of Bacchus, with sleeping Ariadne ca. 1530-70 engraving British Museum |
"After a drawing previously attributed to Perino del Vaga, and now thought to be by Piero Bonnacorsi, in the Musée du Louvre, Paris. The drawing was one of six designs intended to be engraved on crystal for the Casetta Farnese, currently in the collection of the Museo di Capodimonte, Naples. Another of the designs [directly below] was engraved by Enea Vico in 1543."
– curator's notes from the British Museum
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| Enea Vico The Indian Triumph of Bacchus and Ariadne (based on an ancient relief sculpture) ca. 1543 engraving Metropolitan Museum of Art, New York |
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| Simone Cantarini after Guido Reni Bacchus and Ariadne ca. 1640-48 drawing Royal Collection, Great Britain |
"A drawing of Bacchus standing to the left, his hand to his chest. Ariadne seated to the right in an attitude of surprise. The figures are essentially copied from Guido Reni's larger composition of the same subject, painted 1637-40 for Queen Henrietta Maria, destroyed in 1650 [by Puritan usurpers], but known through copies and engravings."
– curator's notes from the Royal Collection
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| Gian Battista Bolognini after Guido Reni Bacchus with his companions discovering Ariadne on the Island of Naxos ca. 1650-80 etching Metropolitan Museum of Art, New York |
"Three joined sheets with impressions from three plates. After a painting by Guido Reni made for the Queen of England (according to Barsch)." In other words, this etching is a copy of the complete Reni painting destroyed in 1650 (though a copy possibly made from an earlier copy rather than from the original), of which the Cantarini drawing above is a modified detail.
– curator's notes from the Metropolitan Museum
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| Pietro Testa Bacchus discovers the sleeping Ariadne before 1650 drawing (originally owned by Queen Christina of Sweden) Teylers Museum, Haarlem |
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| Pietro Santi Bartoli Triumphal Procession with Bacchus and Ariadne (from the series, Wonders of Ancient Rome) ca. 1685 engraving Philadelphia Museum of Art |
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| Sebastiano Ricci Bacchus and Ariadne ca. 1700-1710 drawing Royal Collection, Great Britain |
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| Sebastiano Ricci Bacchus and Ariadne ca. 1700-1725 oil on canvas Chiswick House, London |
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| Marcantonio Franceschini Ariadne viewing the approach of Bacchus' ship (study for an overdoor painting) 1707 wash drawing Cooper Hewitt, Smithsonian Design Museum |
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| Jacopo Guarano Bacchus and Ariadne ca. 1750 etching Philadelphia Museum of Art |
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| Gaspare Diziani Bacchus and Ariadne before 1767 drawing Art Institute of Chicago |
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| Andrea Casali Bacchus and Ariadne ca. 1750 oil on canvas Grundy Art Gallery, Blackpool, Lancashire |
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| Bernardino Gentili il Giovane after Annibale Carracci Triumph of Bacchus and Ariadne ca. 1750-60 tin-glazed earthenware Victoria & Albert Museum |
"Panel, painted in blue, yellow, orange, olive green and manganese purple, depicting the Triumph of Bacchus and Ariadne, adapted from an engraving after the painting by Annibale Carracci in Palazzo Farnese, Rome. The god and his consort are riding in a chariot drawn by two panthers escorted by a youth and little boys with a goat. To the left, a satyr reclining with his arms round the neck of another goat."
– curator's notes from the Victoria & Albert Museum