Tuesday, February 4, 2020

Human and/or Divine Figures in Paint (1770-1780)

Benjamin West
Jocosa Katerina Drury, Lady Cust
with her niece Lady Caroline Hobar
ca. 1770
oil on canvas
National Trust, Belton House, Lincolnshire

Nathaniel Dance-Holland
Portrait of Margaret Maskelyne, Lady Clive
ca. 1770-74
oil on canvas
National Trust, Powis Castle, Wales

George Romney
Portrait of Richard Cumberland
ca. 1771-76
oil on canvas
National Portrait Gallery, London

Francis Wheatley
Scene from Shakespeare's Twelfth Night
ca. 1771-72
oil on canvas
Manchester Art Gallery

Nicolas-Bernard Lépicié
Narcisse changé en fleur
1771
oil on canvas
Château de Versailles

from Narcissus

The mind is a city like London,
Smoky and populous: it is a capital
Like Rome, ruined and eternal,
Marked by the monuments which no one
Now remembers. For the mind, like Rome, contains
Catacombs, aqueducts, amphitheatres, palaces,
Churches and equestrian statues, fallen, broken or soiled.
The mind possesses and is possessed by all the ruins
Of every haunted, hunted generation's celebration.

                 *             *            *

Dusk we are, to dusk returning, after the burbing,
After the gold fall, the fallen ash, the bronze,
Scattered and rotten, after the white null statues which
Are winter, sleep, and nothingness  . . .

                 *              *            *

They thought I had fallen in love with my own face,
And this belief became the night-like obstacle
To understanding all my unbroken suffering,
My studious self-regard, the pain of hope,
The torment of possibility:
How then could I have expected them to see me
As I saw myself, within my gaze, or see
That being thus seemed as a toad, a frog, a wen, a mole.
Knowing their certainty that I was only
A monument, a monster who had fallen in love
With himself alone, how could I have
Told them what was in me, within my heart, trembling and passionate
Within the labyrinth and caves of my mind, which is
Like every mind partly or wholly hidden from itself?

– Delmore Schwartz (1959)

Johann Wyrsch
The Right Honourable Reginald Pole-Carew
1773
oil on canvas
National Trust, Antony House, Cornwall

Jacobus Buys
The French Lesson Interrupted
1774
oil on panel
National Trust, Tatton Park, Cheshire

Robert Edge Pine
Portrait of historian Catherine Macaulay
(in the guise of a Roman matron)
ca. 1775
oil on canvas
National Portrait Gallery, London

Alessandro Longhi
Portrait of an Austrian Prince
ca. 1775
oil on canvas
Guildhall Art Gallery, London

Thomas Gainsborough
Portrait of Lady Brisco
ca. 1776
oil on canvas
Kenwood House, London

Jean-Honoré Fragonard
The Souvenir
ca. 1776-78
oil on panel
Wallace Collection, London

Richard Brompton
Portrait of John Horne Tooke
1777
oil on canvas
Manchester Art Gallery

Joseph Wright of Derby
Portrait of a Gentleman
ca. 1777-80
oil on canvas
Manchester Art Gallery

John Singleton Copley
Portrait of Mrs Robert Hyde
1778
oil on canvas
Yale Center for British Art

Joshua Reynolds
Self Portrait
ca. 1778-80
oil on canvas
National Trust, Knole, Kent