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| Eugène Atget Roses ca. 1910 albumen print Portland Museum of Art, Maine |
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| Eugène Atget Staircase in the Parc, Saint-Cloud 1924 albumen silver print National Gallery of Canada, Ottawa |
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| Eugène Atget Jardin du Luxembourg, Paris 1922 albumen silver print National Gallery of Canada, Ottawa |
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| Eugène Atget Vase, Versailles 1905 albumen print Art Institute of Chicago |
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| George Luks Nora Brady ca. 1910 oil on canvas New Britain Museum of American Art, Connecticut |
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| George Luks Pam 1929 oil on panel New Britain Museum of American Art, Connecticut |
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| George Luks Portrait of a Man before 1933 oil on canvas Lowe Art Museum, University of Miami |
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| George Luks Untitled ca. 1920-30 oil on canvas Fralin Museum of Art, Charlottesville, Virginia |
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| Salvator Rosa Harbor with Lighthouse and Ships 1641 oil on canvas Galleria Palatina, Palazzo Pitti, Florence |
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| Salvator Rosa Forge of Vulcan before 1673 drawing Städel Museum, Frankfurt |
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| Salvator Rosa Diogenes casting away his Bowl ca. 1661-62 etching Museum of Fine Arts, Budapest |
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| Salvator Rosa Glaucus and Scylla ca. 1661 etching Art Gallery of New South Wales, Sydney |
-Presentation-of-the-Virgin-c1590-drawing-Graphische-Sammlung-Albertina-Vienna.jpg) |
| Scipione Pulzone (il Gaetano) Presentation of the Virgin ca. 1590 drawing Graphische Sammlung Albertina, Vienna |
-Holy-Family-with-St-Elizabeth-and-young-St-John-the-Baptist-c1580-oil-on-canvas-Galleria-Borghese-Rome.jpg) |
| Scipione Pulzone (il Gaetano) Holy Family with St Elizabeth and young St John the Baptist ca. 1580 oil on canvas Galleria Borghese, Rome |
-Christ-carrying-the-Cross-c1590-oil-on-canvas-mounted-on-panel-Museum-of-Fine-Arts-Budapest.jpg) |
| Scipione Pulzone (il Gaetano) Christ carrying the Cross ca. 1590 oil on canvas, mounted on panel Museum of Fine Arts, Budapest |
-Portrait-of-a-Man-c1570-80-oil-on-canvas-National-Museum-Warsaw.jpg) |
| Scipione Pulzone (il Gaetano) Portrait of a Man ca. 1570-80 oil on canvas National Museum, Warsaw |
from Part Five of The Age of Anxiety
The others joined in chorus. Malin cried:
It is safe to endure:
Each flat defect has found its solid
Gift to shadow, each goal its unique
Longing to lure, relatedness its
Invariant base, since Venus has now
Agreed so gladly to guarantee
Plenty of water to the plants this year,
Aid to the beasts, to all human demands
Full satisfaction with fresh structures
For crucial regions.
It is safe to endure:
Each flat defect has found its solid
Gift to shadow, each goal its unique
Longing to lure, relatedness its
Invariant base, since Venus has now
Agreed so gladly to guarantee
Plenty of water to the plants this year,
Aid to the beasts, to all human demands
Full satisfaction with fresh structures
For crucial regions.
Quant cried:
A kind word and
A fatherly peak not far away
For city orphans.
A kind word and
A fatherly peak not far away
For city orphans.
Then Rosetta again:
Synchronized watches
And a long lane with a lot of twists
For both sexes.
And Emble:
Barns and shrubberies
For game-playing gangs.
Quant:
Grates full of logs and
Hinterland homes for old proconsuls
And pensioned pairs.
Emble:
Places of silence
For real readers.
Rosetta:
Synchronized watches
And a long lane with a lot of twists
For both sexes.
And Emble:
Barns and shrubberies
For game-playing gangs.
Quant:
Grates full of logs and
Hinterland homes for old proconsuls
And pensioned pairs.
Emble:
Places of silence
For real readers.
Rosetta:
A room with a view
For a shut-in-soul.
For a shut-in-soul.
Malin:
A shady walk
There and back for a thinker or two.
Emble:
A gentle jaunt for dejected nerves
Over warm waters.
Rosetta:
A wild party
Every night for the outgoing classes.
A shady walk
There and back for a thinker or two.
Emble:
A gentle jaunt for dejected nerves
Over warm waters.
Rosetta:
A wild party
Every night for the outgoing classes.
– W.H. Auden (1944-46)