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| Graham Sutherland Study of Helena Rubinstein 1956 gouache, charcoal and ink on paper Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Graham Sutherland Study of Helena Rubinstein 1956 gouache, charcoal and ink on paper Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Graham Sutherland Study of Churchill, Grey Background 1954 oil on canvas Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Graham Sutherland Study of Churchill in Garter Robes 1955 oil on canvas Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Hubert Robert Ancient Bridge on River in Flood ca. 1780 oil on canvas Musée d'Art et d'Archéologie du Périgord |
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| Hubert Robert Capriccio with the Pantheon before the Porto di Ripetta, Rome 1761 oil on canvas Liechtenstein Museum, Vienna |
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| Hubert Robert after Luca Giordano Christ driving the Money-changers from the Temple ca. 1760 drawing (compositional study) Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Hubert Robert Study for Massacre of the Innocents 1796 drawing Crocker Art Museum, Sacramento, California |
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| Rick Amor Study for Running Man 1983 gouache on paper Heide Museum of Modern Art, Bulleen, Australia |
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| Rick Amor Waiter 2012 lithograph Art Gallery of South Australia, Adelaide |
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| Rick Amor No. 7 2012 lithograph Art Gallery of South Australia, Adelaide |
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| Rick Amor Across History 2001 lithograph Art Gallery of South Australia, Adelaide |
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| Simone Cantarini (il Pesarese) Adam and Eve ca. 1630 etching Rhode Island School of Design, Providence |
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| Simone Cantarini (il Pesarese) God the Father before 1648 drawing Clark Art Institute, Williamstown, Massachusetts |
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| Simone Cantarini (il Pesarese) Holy Family before 1648 drawing Städel Museum, Frankfurt |
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| Simone Cantarini (il Pesarese) Holy Family with young St John the Baptist ca. 1642 oil on canvas Galleria Borghese, Rome |
from The Sea and the Mirror
[Prospero to Ariel]:
Sing, Ariel, sing,
Sweetly, dangerously
Out of the sour
And shiftless water,
Lucidly out
Of the dozing tree,
Entrancing, rebuking
The raging heart
With a smoother song
Than this rough world,
Unfeeling god.
O brilliantly, lightly,
Of separation,
Of bodies and death,
Unanxious one, sing
To man, meaning me,
As now, meaning always,
In love or out,
Whatever that mean,
Trembling he takes
The silent passage
Into discomfort.
– W.H. Auden (1942-44)