-c1815-16-watercolor-and-gouache-on-paper-Kupferstichkabinett-Staatliche-Museen-zu-Berlin.jpg) |
| Karl Friedrich Schinkel Stage Design for the opera Undine by E.T.A. Hoffmann ca. 1815-16 watercolor and gouache on paper Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Karl Friedrich Schinkel Ancient City on a Hill ca. 1803-1805 gouache on paper Alte Nationalgalerie, Staatliche Museen zu Berlin |
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| Karl Friedrich Schinkel Schloss Prediama 1816 lithograph Graphische Sammlung, ETH Zürich |
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| Karl Friedrich Schinkel Papyrus along River Anapo near Syracuse 1804 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Augustus John Shelled Buildings with Water Wheel ca. 1917-18 drawing Agnes Etherington Art Centre, Kingston, Ontario |
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| Augustus John Canadian Soldiers ca. 1916 drawing Agnes Etherington Art Centre, Kingston, Ontario |
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| Augustus John Signorina Estella ca. 1900 oil on canvas Manchester Art Gallery |
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| Augustus John Marchesa Casati 1919 oil on canvas Art Gallery of Ontario, Toronto |
-Freiherr-von-Reitzenstein-1913-oil-on-canvas-San-Diego-Museum-of-Art.jpg) |
| Lovis Corinth Portrait of Alexander, Freiherr von Reitzenstein 1913 oil on canvas San Diego Museum of Art |
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| Lovis Corinth Forge of Vulcan 1919-20 etching North Carolina Museum of Art, Raleigh |
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| Lovis Corinth Mirror of Venus 1919-20 etching North Carolina Museum of Art, Raleigh |
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| Lovis Corinth Odysseus and the Suitors 1919-20 etching North Carolina Museum of Art, Raleigh |
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| John Singer Sargent Astarte ca. 1893-94 oil on canvas Isabella Stewart Gardner Museum, Boston |
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| John Singer Sargent Portrait of Ellen Archer Eveleth Smith 1883 oil on canvas Portland Museum of Art, Maine |
-1882-oil-on-canvas-Spencer-Museum-of-Art-University-of-Kansas-Lawrence.png) |
| John Singer Sargent Portrait of Mrs Daniel Sargent Curtis 1882 oil on canvas Spencer Museum of Art, University of Kansas, Lawrence |
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| John Singer Sargent Tarragona ca. 1908 watercolor and gouache on paper New Britain Museum of American Art, Connecticut |
from Part Three of The Age of Anxiety
Malin says:
Our ideas have got drunk and drop their H's.
Emble:
We err what we are as if we were not.
Rosetta:
The honest and holy are hissed at the races.
Quant:
God's in his greenhouse, his geese in the world.
Saying this, they woke up and recognized where they sat and who they were. The darkness which had invaded their dreams was explained, for it was closing time and the bartender was turning off the lights. What they had just dreamed they could no longer recall exactly, but when Emble and Rosetta looked at each other, they were conscious of some sweet shared secret which it might be dangerous to remember too well. Perhaps it was this which prompted Rosetta to suggest that they all come back to her apartment for a snack and a nightcap for, when they accepted, she realized that she had been expecting Quant and Malin to decline. But it was too late now. They were out in the street already and Emble had hailed a cab.
– W.H. Auden (1944-46)