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| Marvin Newman Coney Island I 1953 Kodachrome slide Queensland Art Gallery, Brisbane |
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| Marvin Newman Coney Island II 1953 Kodachrome slide Queensland Art Gallery, Brisbane |
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| Marvin Newman Coney Island IV 1953 Kodachrome slide Queensland Art Gallery, Brisbane |
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| Marvin Newman Coney Island VI 1953 Kodachrome slide Queensland Art Gallery, Brisbane |
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| Paul Poiret Dress ca. 1911 silk with metallic trim National Gallery of Victoria, Melbourne |
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| Paul Poiret Textile Pattern designed for Schumacher ca. 1929-30 silkscreen-printed cotton Royal Ontario Museum, Toronto |
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| Atelier Martine Textile Samples produced for Paul Poiret ca. 1910 block-printed silk Royal Ontario Museum, Toronto |
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| Atelier Martine Textile Samples produced for Paul Poiret ca. 1910 block-printed silk Royal Ontario Museum, Toronto |
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| Giulio Carpioni The Kingdom of Hypnos ca. 1660-65 oil on canvas Yale University Art Gallery |
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| Giulio Carpioni Two Draped Figures (old man and youth) before 1678 drawing Graphische Sammlung Albertina, Vienna |
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| Giulio Carpioni Infant St John the Baptist paying Homage to the Christ Child before 1678 etching Graphische Sammlung, ETH Zürich |
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| Giulio Carpioni after Agostino Carracci Holy Family before 1678 etching Graphische Sammlung, ETH Zürich |
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| John Everett Millais Illustration to Mr Vandyke Brown and his Lay Figure 1865 wood-engraving National Gallery of Canada, Ottawa |
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| John Everett Millais Woman reclining on Bed ca. 1858 wood-engraving National Gallery of Canada, Ottawa |
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| John Everett Millais Winter Fuel 1873 oil on canvas Manchester Art Gallery |
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| John Everett Millais Waterfall 1853 oil on panel Delaware Art Museum, Wilmington |
from The Sea and the Mirror
Ferdinando:
Flesh, fair, unique, and you, warm secret that my kiss
Follows into meaning Miranda, solitude
Where my omissions are, still possible, still good,
Dear Other at all times, retained as I do this,
From moment to moment as you enrich them so
Inherit me, my cause, as I would cause you now
With mine your sudden joy, two wonders as one vow
Pre-empting all, here, there, for ever, long ago.
I would smile at no other promise than touch, taste, sight,
Were there not, my enough, my exaltation, to bless
As world is offered world, as I hear it to-night
Pleading with ours for us, another tenderness
That neither without either could or would possess,
The Right Required Time, The Real Right Place, O Light.
One bed is empty, Prospero,
My person is my own;
Hot Ferdinand will never know
The flame with which Antonio
Burns in the dark alone.
– W.H. Auden (1942-44)