Nan Goldin Self Portrait in Blue Bathroom, London 1980 C-print National Gallery of Australia, Canberra |
Renée van Halm Backdrop (Annunciation) 1980 oil on panel Beaverbrook Art Gallery, Fredericton, New Brunswick |
Corneille (Guillaume Cornelis van Beverloo) Vertige de l'oeil 1980 lithograph NSU Art Museum, Fort Lauderdale, Florida |
Waichi Hayashi Chrysanthemums 1980 color woodblock print Loeb Art Center, Vassar College, Poughkeepsie, New York |
William Yang Patrick White #1, King's Cross 1980 gelatin silver print Queensland Art Gallery, Brisbane |
Stephen Jones Millinery (London) "Quintessence" Hat 1980 straw and wire National Gallery of Australia, Canberra |
Madame Grès Evening Gown 1980 silk jersey and silk chiffon National Gallery of Victoria, Melbourne |
Issey Miyake Bustier 1980 fiberglass National Gallery of Australia, Canberra |
Gilles Boisvert La Fille au Sac Jaune 1980 acrylic on canvas Musée National des Beaux-Arts du Québec |
Jeff Busby Melbourne Cabaret 1980 gelatin silver print National Gallery of Australia, Canberra |
Jeff Busby Australian Dance Theatre 1980 gelatin silver print National Gallery of Australia, Canberra |
Jeff Busby Australian Dance Theatre 1980 gelatin silver print National Gallery of Australia, Canberra |
Jeff Busby Australian Dance Theatre 1980 gelatin silver print National Gallery of Australia, Canberra |
Erica McGilchrist Flounces 1980 acrylic on canvas Heide Museum of Modern Art, Bulleen, Australia |
Elizabeth Bain Construction for the Absolute #5 1980 assemblage of painted wood Los Angeles County Museum of Art |
Bruce Davidson Untitled 1980 dye transfer print San Diego Museum of Art |
Sonnets from China
X
So an age ended, and its last deliverer died
In bed, grown idle and unhappy; they were safe:
The sudden shadow of a giant's enormous calf
Would fall no more at dusk across their lawns outside.
They slept in peace: in marshes here and there no doubt
A sterile dragon lingered to a natural death,
But in a year the slot had vanished from the heath;
A kobold's knocking in the mountain petered out.
Only the sculptors and the poets were half-sad,
And the pert retinue from the magician's house
Grumbled and went elsewhere. The vanquished powers were glad
To be invisible and free; without remorse
Struck down the silly sons who strayed into their course,
And ravished the daughters, and drove the fathers mad.
– W.H. Auden (1938)