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| Jacob Lawrence Dreams no. 2 1965 tempera on board Smithsonian American Art Museum, Washington DC |
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| James Henry Daugherty Tensions and Rhythms 1968-69 oil on linen Whitney Museum of American Art, New York |
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| Sam Byrne Dust Storm approaching Broken Hill ca. 1960-65 enamel on board Heide Museum of Modern Art, Bulleen, Australia |
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| Arthur Osver The Voyage 1961 oil paint and collage on canvas Smithsonian American Art Museum, Washington DC |
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| Jack Humphrey Perry Point Ferry 1960 oil on canvas New Brunswick Museum, Saint John |
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| Perry Nichols The Desk-Top of Jake Hamon 1966 oil on canvas Dallas Museum of Art |
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| John Hultberg Monhegan Dock 1961 oil on canvas Smithsonian American Art Museum, Washington DC |
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| John Hultberg Plain with Flag ca. 1960 gouache on board Smithsonian American Art Museum, Washington DC |
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| John Fox Atelier Rouge ca. 1965 oil on canvas Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Donald Friend Mountebanks 1965 lithograph National Gallery of Australia, Canberra |
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| Hassel Smith Mousehole, Cornwall 1962 oil on canvas Phoenix Art Museum, Arizona |
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| Harry Soviak Famille Noire 1968 lithograph Cooper Hewitt, Smithsonian Design Museum |
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| Jan Forsberg Gust of Wind 1963 etching and aquatint Art Institute of Chicago |
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| Danny Lyon Robert Frank and Mary Frank 1969 gelatin silver print National Portrait Gallery, Washington DC |
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| Helen Lessore Portrait of art collector David Wilkie 1967 oil on canvas Tate Modern, London |
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| Eva Kubbos The Sudden Wings of Blue 1962 color linocut Art Gallery of New South Wales, Sydney |
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| Eikoh Hosoe Kamaitachi #26 1963 gelatin silver print National Museum of Asian Art, Washington DC |
POE, EDGAR (1809-1849) – The greatest master of original prosodic effect that the United States have produced, and an instinctively and generally right (though, in detail, hasty, ill-informed, and crude) essayist on points of prosodic doctrine. Produced little, and that little not always equal; but at his best an unsurpassable master of music in verse and phrase.
PRAED, WINTHROP MACKWORTH (1802-1839) – An early nineteenth-century Prior. Not incapable of serious verse, and hardly surpassed in laughter. His greatest triumph, the adaptation of the three-foot anapest, alternately hypercatalectic and acatalectic or exact, which had been a ballad-burlesque metre as early as Gay, had been partly ensouled by Byron in one piece, but was made his own by Praed, and handed down by him to Mr. Swinburne to be yet further sublimated.
– George Saintsbury, from Historical Manual of English Prosody (1910)