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| Paul Cadmus Greenwich Village Cafeteria 1934 oil on canvas Museum of Modern Art, New York |
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| James Anderson Decursio Relief, Column of Antoninus Pius, Vatican Courtyard ca. 1855-60 salted paper print from wet collodion negative Clark Art Institute, Williamstown, Massachusetts |
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| William Fettes Douglas Wishart preaching against Mariolatry 1871 oil on canvas Scottish National Gallery, Edinburgh |
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| Henri Cartier-Bresson Industrial Exposition, Peking 1958 gelatin silver print Metropolitan Museum of Art, New York |
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| Amico Aspertini Diversion of the River Serchio ca. 1508-09 oil on plaster (wall painting) Cappella di Sant'Agostino, Lucca |
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| Christian Ludwig Bokelmann The People's Bank shortly before the Crash 1877 oil on canvas Milwaukee Art Museum, Wisconsin |
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| Sandro Botticelli Story of Verginia (episode in Roman history described by Livy) ca. 1500-1510 tempera on panel Accademia Carrara, Bergamo |
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| Nicola Cianfanelli Episode from the novel I Promessi Sposi ca. 1833-37 fresco Palazzina della Meridiana, Florence |
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| Anonymous French Photographer Restaurant Fradin, Paris ca. 1890- albumen print San Francisco Museum of Modern Art |
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| Anonymous Netherlandish Painter The Siege and Battle of Pavia ca. 1525-30 oil on panel Ashmolean Museum, Oxford |
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| Vittore Carpaccio Pilgrims met by Pope Cyriac before the Walls of Rome (Life of St Ursula Cycle) ca. 1492-93 tempera on canvas Gallerie dell'Accademia, Venice |
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| Marco Benefial Portrait of the Quarantotti family 1756 oil on canvas Palazzo Barberini, Rome |
| Bartolomeo di Giovanni Celebrating the Marriage of Thetis and Peleus ca. 1475-1500 tempera on panel Musée du Louvre |
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| Anonymous American Photographer Women dressed alike and walking away 1959 gelatin silver print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Dirck Centen (Teodoro d'Errico) The Last Supper ca. 1585 oil on canvas Museo di Capodimonte, Naples |
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| Clarence Kerr Chatterton Gathering in a Park 1914 oil on canvas Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Adolph Dehn Contacting Pablo Picasso (with caricatures of Alfred Barr and Dorothy Miller of MoMA) 1940 hand-colored lithograph National Portrait Gallery, Washington DC |
Sibylla's Dirge
We do lie beneath the grass
In the moonlight, in the shade
Of the yew-tree. They that pass
Hear us not. We are afraid
They would envy our delight,
In our graves by glow-worm light.
Come follow us, and smile as we;
We sail to the rock in the ancient waves,
Where the snow falls by thousands into the sea,
And the drowned and the shipwrecked have
happy graves.
– Thomas Lovell Beddoes, Death's Jest-Book (1828)




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