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| Keith Vaughan Figure and Still-life 1948 charcoal and gouache on paper private collection |
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| Keith Vaughan Still-life with Sculpture 1950 drawing private collection |
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| Keith Vaughan Green Jug ca. 1950 gouache on paper Jerwood Collection, London |
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| Keith Vaughan Finistère 1952 watercolor on paper Victoria & Albert Museum |
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| Keith Vaughan Woodmen in a Clearing 1953 oil on canvas Leicestershire County Council Artworks Collection |
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| Keith Vaughan Two Standing Figures 1956 oil pastel on paper Ingram Collection, London |
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| Keith Vaughan Two Men Kissing ca. 1958-73 drawing Tate Gallery |
A Coronet to his Mistress, Philosophy
Muses, that sing love's sensual empery,
And lovers kindling your enraged fires
At Cupid's bonfires burning in the eye,
Blown with the empty breath of vain desires;
You that prefer the painted cabinet
Before the wealthy jewels it doth store ye,
That all your joys in dying figures set,
And stain the living substance of your glory;
Abjure these joys, abhor their memory,
And let my love the honour'd subject be
Of love, and honour's complete history.
Your eyes were never yet let in to see
The majesty and riches of the mind,
But dwell in darkness; for your god is blind.
– George Chapman (1595)
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| Keith Vaughan Achaeans 1960 gouache on panel private collection |
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| Keith Vaughan Warrior 1960 drawing Tate Gallery |
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| Keith Vaughan Two Figures (Damson) 1964-66 oil on canvas private collection |
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| Keith Vaughan Two Figures 1966 oil on canvas National Museum of Wales, Cardiff |
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| Keith Vaughan Two Figures 1968 watercolor and gouache on paper private collection |
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| Keith Vaughan Untitled (Male Figure) 1970 charcoal and wash on paper Tate Gallery |
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| Keith Vaughan Blue Figure-study ca. 1974-76 ink, gouache and acrylic on paper Jerwood Collection, London |