Tuesday, February 7, 2023

Charles Le Brun - Studies for Painted Ceilings and Vaults

Charles Le Brun
 Figure attacked by a Lion
ca. 1679-84
drawing
(study for vault painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Figures of Soldiers
ca. 1679-84
drawing
(study for vault painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Soldier Fleeing
ca. 1679-84
drawing
(study for vault painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Three Figures
ca. 1679-84
drawing
(study for vault painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Winged Female Figure with Standard
ca. 1679-84
drawing
(study for vault painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Allegorical Figures
ca. 1685-86
drawing
(study for ceiling painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Front of Antique Chariot
ca. 1685-86
drawing
(study for ceiling painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Legs of Reclining Figure
ca. 1685-86
drawing
(study for ceiling painting, Château de Versailles)
Musée du Louvre

Charles Le Brun
Draped Female Figure
ca. 1653-55
drawing
(study for ceiling painting, L'hôtel de La Rivière, Paris)
Musée du Louvre

Charles Le Brun
Reclining Figure
ca. 1653-55
drawing
(study for ceiling painting, L'hôtel de La Rivière, Paris)
Musée du Louvre

Charles Le Brun
Hercules and the Cretan Bull
ca. 1650-60
drawing
(study for vault painting, L'hôtel Lambert, Paris)
Musée du Louvre

Charles Le Brun
Hercules and one of the Horses of Diomedes
ca. 1650-60
drawing
(study for vault painting, L'hôtel Lambert, Paris)
Musée du Louvre

Charles Le Brun
Allegorical Scenes
ca. 1653
drawing
(study for ceiling painting, Palais du Louvre)
Musée du Louvre

Charles Le Brun
Figure Study
ca. 1660
drawing
Musée du Louvre

Charles Le Brun
Figure Studies
ca. 1660
drawing
Musée du Louvre

Charles Le Brun
Figure Study
ca. 1680
drawing
Musée du Louvre

Charles Le Brun
Figure Study
ca. 1680
drawing
Musée du Louvre

from Constancy to an Ideal Object

And art thou nothing? Such thou art, as when
The woodman winding westward up the glen
At wintry dawn, where o'er the sheep-track's maze
The viewless snow-mist weaves a glist'ning haze,
Sees full before him, gliding without tread,
An image with a glory round its head;
The enamoured rustic worships its fair hues,
Nor knows he makes the shadow, he pursues!

– Samuel Taylor Coleridge (ca. 1810)