Thursday, September 18, 2025

Otherworldly

Duane Michals
Self Portrait with my Guardian Angel
1974
gelatin silver print
Moderna Museet, Stockholm

John O'Reilly
Apparition
2014
collage of printed paper
Worcester Art Museum, Worcester, Massachusetts

Max Pechstein
Witches II
1907
woodcut
Kupferstichkabinett, Staatliche Museen zu Berlin

Bjørn Ransve
Demon II
1971
oil on canvas
Nasjonalmuseet, Oslo

Robert Rauschenberg
Autobiography
1968
screenprint
Moderna Museet, Stockholm

Martin Schaffner
The Planets and their Earthly Attributes
1533
oil on panel
(table top)
Museumslandschaft Hessen Kassel

Joseph Stella
A Vision
ca. 1925-26
oil on canvas
Art Institute of Chicago

Herman de Vries
To Be
1974
letterpress
Kröller-Müller Museum, Otterlo, Netherlands

Minor White
Windowsill Daydreaming
1958
gelatin silver print
Moderna Museet, Stockholm

attributed to Benedetto Bordone
Poliphilo transported by the Dream to a Landscape of Ruins
(from the Hypnerotomachia Poliphili of Francesco Colonna
published by Aldus Manutius in Venice)
1499
woodcut
Hamburger Kunsthalle

Joseph Cornell
Soap-Bubble Set (Lunar Space Object)
ca. 1959
assemblage - glass, wood, printed paper, found,objects
Amon Carter Museum, Fort Worth, Texas

Albrecht Dürer
Vision of the Seven Candlesticks
1498
woodcut
Museum of Fine Arts, Budapest

Paola Ferrario
Bastrop Museum, Bastrop, Texas
1994
C-print
Amon Carter Museum, Fort Worth, Texas

Ancient Greek Culture
Artemis
marble
1st century AD
(adaptation of more ancient cult statue,
The Great Artemis of Ephesus)
National Archaeological Museum, Athens

Fernand Khnopff
Chimera
ca. 1910
oil on canvas
Musée d'Ixelles, Brussels

Laura McPhee
Understory Flareups, Fourth of July, Creek Valley Road Wild Fire, Custer County, Idaho
2005
C-print
Amon Carter Museum, Fort Worth, Texas

Agamemnon:  First of all it is right for me to address Argos and its native gods, who are responsible, together with myself, for my return and for the punishment I have exacted from the city of Priam.  The gods heard pleas uttered not by men's tongues but through men's deaths, and without division of opinion cast their votes in the urn of blood for the destruction of Troy; to the vessel on the other side only hope approached – no hand filled it.  Even now the smoke rising from the city proclaims it fallen; the gusts of ruin are still alive and blowing, and the ashes, reluctant to die down, send forth thick puffs of wealth.  For this we must be deeply mindful of the gods' favour and pay them thanks, since we have punished that arrogant abduction, and on account of a woman a city has been ground into dust by the Argive beast, the offspring of the Horse, the shield-bearing host which made its jump about the time of the setting of the Pleiades; a lion, eater of raw flesh, leaped over the walls and licked its fill of royal blood. 

                                                            *              *              *

As regards other matters concerning the community and the gods, we will hold public assemblies and discuss them before the whole people together.  We must consider how to make what is good stay good for a long time; and for anything that requires healing remedies we shall endeavour to avert the painful effects of the disease, either by cautery or by judicious use of the knife.  Now I will enter my palace, come to the hearth of my home, and as my first act greet the gods who sped me on my way and have brought me back.  And may victory, since she has followed me thus far, remain with me always!

– Aeschylus, from Agamemnon (458 BC), translated by Alan H. Sommerstein (2008)