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| Master of the Kremsmünster Diptych (French sculptor) Funeral of the Virgin 14th century ivory (diptych fragment) British Museum |
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| Martino di Bartolomeo The Crucifixion ca. 1410 tempera and gold on panel (predella fragment) El Paso Museum of Art, Texas |
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| Master of the Playing Cards (German artist) Man of Sorrows with Instruments and Villains of the Passion ca. 1450 hand-colored engraving British Museum |
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| Matteo di Giovanni The Crucifixion ca. 1470-80 tempera and oil on panel (predella fragment) Cleveland Museum of Art, Ohio |
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| Master I.A.M. of Zwolle (Netherlandish printmaker) Lamentation ca. 1470-95 engraving British Museum |
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| Master of the Subjects in Boccaccio (Netherlandish printmaker) Marcus Manlius Capitolinus thrown into the Tiber 1476 engraving British Museum |
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| Master M.Z. (German printmaker) Martyrdom of St Catherine of Alexandria (wingless angels kneeling at right with shroud) ca. 1501 engraving British Museum |
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| Master of the Beheading of St John the Baptist (Italian printmaker) Beheading of St John the Baptist ca. 1500-1520 engraving British Museum |
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| Lucas van Leyden The Expulsion from Paradise 1529 engraving British Museum |
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| Master of the Die (Italian printmaker) St Sebastian ca. 1530-60 engraving British Museum |
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| Master N.D. (Italian printmaker) after Raphael Massacre of the Innocents 1544 chiaroscuro woodcut with key-block only (School of Fontainebleau) British Museum |
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| Daniel Lindtmayer The Crucifixion, with Ornamental Surround 1580 drawing British Museum |
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| Alessandro Maganza Beheading of St John the Baptist before 1630 drawing British Museum |
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| Giovanni Battista Cipriani Fall of the Rebel Angels before 1785 drawing British Museum |
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| Domenico Mondo A Beheading in Progress before 1806 drawing British Museum |
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| Joseph Anton Koch Charon's Bark in Dante's Hell 1808 etching (book illustration) British Museum |
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| Judith Linhares Purgatory 1991 linocut and lithograph Whitney Museum of American Art, New York |
Madrigal
Like the Idalian queen,
Her hair about her eyne,
With neck and breast's ripe apples to be seen,
At first glance of the morn
In Cyprus' gardens gathering those fair flowers
Which of her blood were born,
I saw, but fainting saw, my paramours.
The Graces naked danced about the place,
The winds and trees amazed
With silence on her gazed,
The flowers did smile, like those upon her face;
And as their aspen stalks those fingers band,
That she might read my case,
A hyacinth I wished me in her hand.
– William Drummond of Hawthornden (1585-1649)
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