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| Niccolò di Pietro Gerini Virgin and Child enthroned with Saints before 1415 tempera and gold on panel Campion Hall, University of Oxford |
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| Albrecht Dürer Kneeling Youth and Executioner ca. 1493 drawing British Museum |
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| Lorenzo Costa Adoration of the Magi ca. 1510 oil on panel Liechtenstein Museum, Vienna |
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| Ridolfo Ghirlandaio The Annunciation ca. 1515 oil on panel Pieve di San Pietro a Pitiana, Reggello |
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| Cristofano Gherardi The Visitation ca. 1541-45 oil on canvas, mounted on panel Musée des Augustins de Toulouse |
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| Charles Alphonse Dufresnoy St Margaret ca. 1650 drawing Graphische Sammlung Albertina, Vienna |
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| Lievin Cruyl Antonine Column in Piazza Colonna, Rome 1666 etching British Museum |
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| Giovanni Battista Gaulli (il Baciccio) Thanks Offering of Noah ca. 1700 oil on canvas High Museum of Art, Atlanta |
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| John Sell Cotman Fire at the Vinegar Works on the River Wensum at Norwich 1829 watercolor on paper British Museum |
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| Johan Christian Dahl Landscape with Pedersborg Church 1832 oil on canvas Ny Carlsberg Glyptotek, Copenhagen |
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| Walter Crane Scene from Bluebeard 1899 watercolor and ink on paper (design for printed illustration) British Museum |
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| Walter Crane Scene from Bluebeard 1899 watercolor and ink on paper (design for printed illustration) British Museum |
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| Terry Frost Alhambra 1972 lithograph Tate Modern, London |
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| Sam Gilliam Wissahickon 1975 screenprint Smithsonian American Art Museum, Washington DC |
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| Jeff Gibson Hugo 1996 screenprint Art Gallery of New South Wales, Sydney |
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| Steve DiBenedetto Torment of the Metals 2005 oil paint, alkyd paint and oil stick on linen Whitney Museum of American Art, New York |
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| Gauri Gill Untitled (11) 2015 pigment print Art Gallery of New South Wales, Sydney |
Epitaph on the Earl of Strafford
Here lies wise and valiant dust,
Huddled up 'twixt fit and just:
Strafford, who was hurried hence
'Twixt treason and convenience.
He spent his time here in a mist:
A papist, yet a Calvinist.
His prince's nearest joy, and grief.
He had, yet wanted, all relief.
The prop and ruin of the state;
The people's violent love, and hate:
One in extremes loved and abhorred.
Riddles lie here; or in a word,
Here lies blood, and let it lie
Speechless still, and never cry.
– John Cleveland (1647)