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| attributed to Paolo Uccello Portrait of a Woman ca. 1460-65 oil on panel Isabella Stewart Gardner Museum, Boston |
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| Hans Shüchlin Portrait of a Married Couple 1479 oil on panel Bayerisches Nationalmuseum, Munich |
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| Pontormo (Jacopo Carrucci) Portrait of a Goldsmith ca. 1517 oil on panel Musée du Louvre |
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| attributed to Lorenzo Lotto Portrait of a Young Man ca. 1525 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Hans Maler Portrait of banker Wolfgang Ronner 1529 oil on panel Alte Pinakothek, Munich |
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| Giambattista Moroni Portrait of a Man ca. 1570 oil on canvas Memphis Brooks Museum of Art, Tennessee |
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| Zacharias Wehme Anne of Denmark, consort of Elector Augustus of Saxony ca. 1585 oil on canvas Gemäldegalerie Alte Meister, Dresden |
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| Christoffel van Sichem after Jacob Matham Head of Young Man 1613 woodcut Rhode Island School of Design, Providence |
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| Francisco de Zurbarán St Lucy ca. 1625-30 oil on canvas National Gallery of Art, Washington DC |
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| Giambattista Tiepolo Head of Magus ca. 1740-45 oil on canvas San Diego Museum of Art |
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| Anna Dorothea Lisiewska-Therbusch Portrait of court architect Nicolas de Pigage ca. 1764 oil on canvas Kurpfälzisches Museum, Heidelberg |
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| Fratelli d'Alessandri (Rome) Anita Herriman Vedder at age 18 dressed in the style of the 1830s for a Masquerade ca. 1891-92 platinum print Archives of American Art, Washington DC |
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| Henry Havelock Pierce Alice Roosevelt Longworth 1905 platinum print National Portrait Gallery, Washington DC |
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| George Hurrell Greta Garbo 1930 gelatin silver print National Portrait Gallery, Washington DC |
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| Raphael Soyer Portrait of artist's model Marussia Burliuk 1943 oil on canvas Hirshhorn Museum, Washington DC |
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| Harry Warnecke Lucille Ball 1944 tricolor carbro print National Portrait Gallery, Washington DC |
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| Gail Skoff Tinda 1975 hand-colored gelatin silver print Smithsonian American Art Museum, Washington DC |
from Divine Epigrams
The dumbe healed, and the people enjoyned silence.
Christ bids the dumbe tongue speake, it speakes, the sound
Hee charges to be quiet, it runs round,
If in the first he us'd his fingers Touch:
His hands whole strength here, could not be too much.
– Richard Crashaw, Steps to the Temple (1648)


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