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| Claude Lorrain Group of Trees ca. 1630-35 drawing Ashmolean Museum, Oxford |
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| John Singer Sargent Olive Trees by Lake Garda ca. 1909 watercolor on paper Ashmolean Museum, Oxford |
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| Lois Conner American Larch, Vassar Campus 2004 gelatin silver print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Aelbert Cuyp An Opening in a Wood ca. 1640 drawing British Museum |
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| Jon Carsman Sentinels ca. 1978 screenprint Akron Art Museum, Ohio |
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| Auguste Paul Charles Anastasi Trunk of Spanish Chestnut 1841 drawing Ashmolean Museum, Oxford |
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| Nicolas Party Landscape 2019 pastel on linen Buffalo AKG Art Museum, New York |
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| Lodewijk de Vadder Lake in a Wood before 1655 drawing British Museum |
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| Antoine Chazal Le Yucca gloriosa fleuri dans le parc de Neuilly 1844 oil on canvas Musée du Louvre |
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| Ken Gonzales-Day Nightfall I 2006 inkjet print National Gallery of Art, Washington DC |
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| Richard Cooper Tree Study with Figures before 1814 drawing British Museum |
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| Philips Koninck Figures in Woodland 1670 drawing British Museum |
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| Alexandre Calame Arbre brisé au Kerket, près de Meyringen ca. 1838-39 oil on card Musée du Louvre |
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| Graciela Iturbide Homage to Pasolini, Ostia Italy 2007 gelatin silver print National Gallery of Art, Washington DC |
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| Roger Mertin Hailey, Idaho 1976 gelatin silver print National Gallery of Art, Washington DC |
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| Adriaen Hendriksz Verboom Wooded Landscape before 1675 drawing British Museum |
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| André Derain Les Arbres ca. 1906 oil on canvas Buffalo AKG Art Museum, New York |
'Goodbye Sun!' said the Ambracian
Kleombrotos, as he jumped
Off a high wall to Hades:
Not that he found any evil
Worthy of death, but he'd read
One of Plato's treatises – On the Soul.
– from the Greek Anthology, translated by Peter Jay