-Kunstbibliothek-Staatliche-Museen-zu-Berlin.jpg) |
| Jan Toorop Levensverzekering Maatschappij, Arnhem 1900 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
 |
| Charley Toorop Still Life with Landscape 1952 oil on canvas Kröller-Müller Museum, Otterlo, Netherlands |
 |
| Henry Edward Tidmarsh Reference Library, King Street, Manchester 1893-94 watercolor and gouache on paper Manchester Art Gallery |
 |
| Johann Friedrich August Tischbein Portrait of Dominica Martha Grassi 1800 oil on canvas Deutsche Barockgalerie, Augsburg |
 |
| Louis Tocqué Portrait of Frederick Michael, Count Palatine of Zweibrücken-Birkenfeld ca. 1745 oil on canvas Alte Pinakothek, Munich |
-Dresden.jpg) |
| Paul Wilhelm Red House in Snow III ca. 1957 oil on canvas Galerie Neue Meister (Albertinum), Dresden |
 |
| Gerard ter Borch the Younger Portrait of a Woman ca. 1665 oil on canvas Cleveland Museum of Art, Ohio |
 |
| Jean-Baptiste Joseph Wicar Self Portrait ca. 1810 oil on canvas Palais des Beaux-Arts de Lille |
 |
| Adolphe Valette Flowers and Fruit 1917 oil on canvas Manchester Art Gallery |
 |
| Félix Vallotton Sandbanks on the Loire 1923 oil on canvas Kunsthaus Zürich |
 |
| Hans Thoma Putto and Helmet 1889 watercolor and gouache on paper Städel Museum, Frankfurt |
 |
| Wallerant Vaillant Portrait of Philippe de France, duc d'Orléans 1660 pastel on paper Graphische Sammlung Albertina, Vienna |
 |
| attributed to Titian Virgin and Child ca. 1507 oil on panel Accademia Carrara, Bergamo |
 |
| Adolphe Valette Study of a Cast of the Dancing Faun ca. 1904 drawing Manchester Art Gallery |
 |
| Erik Werenskiold The Favorite Spot 1882 oil on canvas Lillehammer Kunstmuseum, Norway |
 |
| Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Virgin and Child ca. 1575 oil on canvas National Gallery of Art, Washington DC |
Anglais mort à Florence
A little less returned for him each spring.
Music began to fail him. Brahms, although
His dark familiar, often walked apart.
His spirit grew uncertain of delight,
Certain of its uncertainty, in which
That dark companion left him unconsoled
For a self returning mostly memory.
Only last year he said that the naked moon
Was not the moon he used to see, to feel
(In the pale coherences of moon and mood
When he was young), naked and alien,
More leanly shining from a lankier sky.
Its ruddy pallor had grown cadaverous.
He used his reason, exercised his will,
Turning in time to Brahms as alternate
In speech. He was that music and himself.
They were particles of order, a single majesty:
But he remembered the time when he stood alone.
He stood at last by God's help and the police;
But he remembered the time when he stood alone.
He yielded himself to that single majesty;
But he remembered the time when he stood alone,
When to be and delight to be seemed to be one,
Before the colors deepened and grew small.
– Wallace Stevens (1935)