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| Anonymous Italian Artist Two Caryatid Groups from the Cloister of San Michele in Bosco, Bologna ca. 1690-95 drawing Museum of Fine Arts, Boston |
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| Giuseppe Maria Mitelli Iconoclast destroying a Classical Statue ca. 1678-80 drawing Morgan Library, New York |
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| Giuseppe Maria Mitelli Allegorical Figures of Experience and Time (design for a title page) 1677 drawing Metropolitan Museum of Art, New York |
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| Andrea Pozzo Study for the Altar of St Luigi Gonzaga, Chiesa di Sant' Ignazio di Loyola, Rome ca. 1697 drawing Philadelphia Museum of Art |
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| Giuseppe Passeri Four Saints ca. 1675-1700 drawing Teylers Museum, Haarlem |
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| Baldassare Franceschini Kneeling Youth in Armour late 17th century drawing Metropolitan Museum of Art, New York |
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| Baldassare Franceschini Académie late 17th century drawing Rijksmuseum, Amsterdam |
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| Cosimo Ulivelli Designs for Frames late 17th century drawing Metropolitan Museum of Art, New York |
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| Cosimo Ulivelli Truth removing Blinders from the Eyes of Ignorance late 17th century drawing Metropolitan Museum of Art, New York |
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| Mattia Preti Drapery Study of Male Figure, and other studies before 1699 drawing British Museum |
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| Carlo Maratti Study for Portrait of Domenico Guidi (Sculptor) 1680 drawing British Museum |
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| Carlo Maratti Study for Portrait of Domenico Guidi (Sculptor) 1680 drawing British Museum |
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| Carlo Maratti Lion of St Mark ca. 1688-1700 drawing Royal Collection, Great Britain |
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| Carlo Maratti Drapery Study for the Figure of St James ca. 1686 drawing Royal Collection, Great Britain |
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| workshop of Carlo Maratti St Rosalia chisels her Vows into the Rock Face ca. 1685-1700 drawing Teylers Museum, Haarlem |