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| Jacques-Henri Lartigue Anteuil 1912 gelatin silver print Denver Art Museum |
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| Augustus Jackson Thibaudeau New York Public Library 1912 platinum print Albright-Knox Art Gallery, Buffalo, New York |
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| Augustus Jackson Thibaudeau Portrait of a Young Girl 1913 platinum print Albright-Knox Art Gallery, Buffalo, New York |
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| August Sander Small-Town Women ca. 1913 gelatin silver print National Gallery of Victoria, Melbourne |
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| Jacob Olie Self Portrait 1913 autochrome Rijksmuseum, Amsterdam |
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| Sherril Schell Portrait of Rupert Brooke 1913 gelatin silver print National Portrait Gallery, London |
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| Alice Mills Portrait of Joan Margaret Syme as a Bacchante ca. 1918 hand-colored gelatin silver print National Gallery of Victoria, Melbourne |
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| Emil Otto Hoppé Soldiers playing Cricket in the Moat of the Tower of London 1919 gelatin silver print Yale Center for British Art |
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| Edward S. Curtis Aphrodite ca. 1920 gelatin silver print Denver Art Museum |
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| Baron Adolf de Meyer Portrait of Éva Gauthier ca. 1920 gelatin silver print Denver Art Museum |
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| Baron Adolf de Meyer Dolores (fashion shot for Vogue) 1921 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Lewis Wickes Hine Power House Mechanic ca. 1921 gelatin silver print Brooklyn Museum |
"The clean muscularity and precise industrial order presented by Lewis Hine in Power House Mechanic demonstrates the photographer's shift, in 1919, from a gritty documentary style to what he called "interpretive photography" – an approach intended to raise the stature of industrial workers, who were increasingly diminished by the massive machinery they operated. Despite his concern for the worker, Hine's use of hand-selected and precisely posed models actually helped to cement the pictorial formulas employed by burgeoning corporate public-relations departments."
– from curator's notes at the Brooklyn Museum
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| Bertram Park Dame Gladys Cooper 1922 chlorobromide print National Portrait Gallery, London |
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| August Sander Bohemians (Willi Bongard and Gottfried Brockman) ca. 1922 gelatin silver print National Gallery of Victoria, Melbourne |
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| Imogen Cunningham Photographers Edward Weston and Margrethe Mather 1923 gelatin silver print Yale University Art Gallery |