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| Anonymous Photographer Authentic Skull of the painter Raphael (adorned with Laurel) ca. 1880 carbon print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Anonymous Photographer Lace ca. 1880 cyanotype Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Anonymous Photographer Scene in a Wax Museum ca. 1880 albumen silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Kazumasa Ogawa Two Young Women ca. 1880 hand-colored albumen silver print National Gallery of Victoria, Melbourne |
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| Arthur K. Syer Group Portrait, Sydney, Australia ca. 1880 albumen silver print Yale University Art Gallery |
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| Hiram Jacoby Funerary Floral Arrangement ca. 1880 albumen silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Fratelli Alinari Palazzo d'Oro, Venice ca. 1880 albumen silver print National Gallery of Victoria, Melbourne |
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| Kimbei Kusakabe Couple with Cabinet Photograph and Ghost in the Background ca. 1880 hand-colored albumen silver print National Gallery of Victoria, Melbourne |
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| Kimbei Kusakabe Vegetable Peddler ca. 1885 hand-colored albumen silver print National Gallery of Victoria, Melbourne |
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| Napoleon Sarony Mrs Langtry 1882 albumen print (carte de visite) Yale University Art Gallery |
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| Thomas Eakins Shad Fishermen hauling Net at Gloucester, New Jersey ca. 1881 cyanotype Philadelphia Museum of Art |
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| Thomas Eakins Young Model in the Studio ca. 1883 gelatin silver print Philadelphia Museum of Art |
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| Thomas Eakins Young Model in the Studio ca. 1883 gelatin silver print Philadelphia Museum of Art |
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| Thomas Eakins Studies of James L. Jackson ca. 1883 albumen silver prints Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Thomas Eakins Motion Study - Boy Jumping 1884 gelatin silver print (stroboscopic photograph) Philadelphia Museum of Art |
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| Frederick Hollyer Portrait of Aubrey Beardsley ca. 1890 platinum print National Portrait Gallery, London |
Andromache mourns deeply at our last
leavetaking, bringing robes adorned with threads
of gold, a Phrygian mantle for my son –
she does not yield in doing honor – weighting
Ascanius with woven gifts, then tells him:
'Receive these, too, my boy: memorials
of my own handiwork; and let them serve
as witness to Andromache's long love
as wife of Hector. Take with you these last
gifts of your people – you, the only image
that still is left of my Astyanax:
so did he bear his eyes, his hands, his face;
so would he now be entering his youth,
were he alive, his years the same as yours.'
– Andromache addresses Ascanius, from Book III of Virgil's Aeneid, translated by Allen Mandelbaum (1971)