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| Nicholas Nixon Self, Brookline 2003 gelatin silver print Cleveland Museum of Art, Ohio |
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| Barney Taxel Louise Van Cleve Strong 2004 pigment print Cleveland Museum of Art, Ohio |
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| James Welling #17 2004 C-print Cleveland Museum of Art, Ohio |
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| Vik Muniz Elizabeth Taylor 2004 C-print Princeton University Art Museum |
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| Keith Carter Thirty Plates 2004 gelatin silver print Cleveland Museum of Art, Ohio |
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| Loretta Lux Paulin 2002 C-print Los Angeles County Museum of Art |
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| Desiree Dolron Librario Escuela Julio Mella (Cuba) ca. 2003 C-print Victoria & Albert Museum, London |
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| Mark Edwards Rotting Apples 2004 C-print Victoria & Albert Museum, London |
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| Terry Evans Red Buildings, East Chicago, Indiana 2003 inkjet print Art Institute of Chicago |
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| Candida Höfer Riesenrundgemälde, Innsbruck 2004 C-print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Lynn Geesaman Damme, Belgium 2004 inkjet print Cleveland Museum of Art, Ohio |
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| Vesna Pavlović Lobby inside the Chase One Plaza Building, Manhattan ca. 2003-2005 inkjet print Princeton University Art Museum |
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| Vesna Pavlović Plant Life II inside the Chase One Plaza Building, Manhattan ca. 2003-2005 inkjet print Princeton University Art Museum |
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| Vesna Pavlović Salon of the Socialist Republic of Serbia inside the Federal Executive Council Building, Belgrade ca. 2003-2005 inkjet print Princeton University Art Museum |
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| Jeff Wall A View from an Apartment 2004-2005 transparency in lightbox Tate Gallery |
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| John Riddy Shin Fuji (Street) 2005 C-print Victoria & Albert Museum, London |
"He wastes no words, no time on useless questions –
but drawing heavy sighs from deep within,
'Ah, goddess-born, take flight,' he cries, 'and snatch
yourself out of these flames. The enemy
has gained the walls; Troy falls from her high peak.
Our home, our Priam – these have had their due:
could Pergamus be saved by any prowess,
then my hand would have served. But Troy entrusts
her holy things and household gods to you;
take them away as comrades of your fortunes,
seek out for them the great walls that at last,
once you have crossed the sea, you will establish.'
So Hector speaks: then from the inner altars
he carries out the garlands and great Vesta
and, in his hands, the fire that never dies."
– Aeneas is addressed by Hector's shade, from Book II of Virgil's Aeneid, translated by Allen Mandelbaum (1971)