Friday, January 19, 2024

Visual Relics (1844-1855)

William Henry Fox Talbot
Scene in a Library
ca. 1844
salted paper print
Yale University Art Gallery

William Henry Fox Talbot
Group on a Lawn beside a Church
with Baskets of Firewood and Garden Produce
(probably for charitable distribution)

1845
salted paper print
Philadelphia Museum of Art

David Octavius Hill and Robert Adamson
The Birdcage (Two Sisters)
ca. 1845
photogravure from calotype negative
Albright-Knox Art Gallery, Buffalo, New York

David Octavius Hill and Robert Adamson
James Fillans and his Daughters
ca. 1845
photogravure from calotype negative
Albright-Knox Art Gallery, Buffalo, New York

Richard Beard
Portrait of Charles John Canning, Earl Canning
ca. 1845
daguerreotype
National Portrait Gallery, London

William Edward Kilburn
Portrait of singer Jenny Lind
with Marietta Alboni, Countess Pepoli

1848
hand-colored daguerreotype
National Portrait Gallery, London

Southworth & Hawes
Portrait of Josiah Johnson Hawes
in Fanciful Alpine Setting

ca. 1850
hand-colored daguerreotype
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Rufus J. Anson
Daguerreotypist with Camera
ca. 1850
hand-colored daguerreotype
Philadelphia Museum of Art

Anonymous Photographer
Man posed before Arctic Panorama
ca. 1850
daguerreotype
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Anonymous Photographer
Sisters
ca. 1850
hand-colored daguerreotype
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Auguste Vacquerie
Portrait of Victor Hugo
1853
salted paper print
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Roger Fenton
Lady Harriet Hamilton as Lady Jane Grey
1854
albumenized salt print
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Anonymous Photographer
Three Siblings
1854
hand-colored daguerreotype
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Lucy and Charlotte Bridgeman
Portrait of Lady Howe
ca. 1855
albumen print
Philadelphia Museum of Art

Jean-Baptiste Frenet
Mère et son Fils au Jardin
ca. 1855
salted paper print
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Calvert Richard Jones
Group on the Lawn of a Country House
ca. 1855
albumen print
Indianapolis Museum of Art

A rumor of incredible events
awaits us here: that Helenus, the son
of Priam, is a king of Grecian cities,
that he has won the wife and scepter of
Pyrrhus, Achilles' son; that once again
Andromache is given to a husband
of her own country. And I was amazed.
My heart burned with extraordinary longing
to speak to him, to learn of such great happenings.
Just then – when I had left the harbor and
my boat, drawn up along the beaches – there,
within a grove that stood before the city,
alongside waves that mimed the Simois,
Andromache was offering to the ashes
a solemn banquet and sad gifts, imploring
the Shade of Hector's empty tomb that she
had raised out of a green turf with double altars
and consecrated as a cause for tears.

– Aeneas discovers Hector's widow, Andromache, in exile, from Book III of Virgil's Aeneid, translated by Allen Mandelbaum (1971)