PaJaMa (Paul Cadmus, Jared French, Margaret French) Margaret French, Hoboken NJ ca. 1940 gelatin silver print Phillips Collection, Washington DC |
Consuelo Kanaga Wharton Esherick, Master Woodworker 1940 bromide print Brooklyn Museum |
Drahomir Josef Ruzicka Pennsylvania Station, New York 1941 chlorobromide print Brooklyn Museum |
Edmund Teske Nude - Davenport, Iowa 1942 gelatin silver print Denver Art Museum |
Philippe Halsman Ballet Production 1944 gelatin silver print Brooklyn Museum |
Philippe Halsman Portrait of a Woman 1944 gelatin silver print Brooklyn Museum |
Weegee Woman at the Bar, Eddie Condon's, Greenwich Village ca. 1945 gelatin silver print Indianapolis Museum of Art |
W. Eugene Smith Martha Graham and Eric Hawkins ca. 1945 gelatin silver print Indianapolis Museum of Art |
Laura Gilpin Chichen Itza 1946 gelatin silver print Denver Art Museum |
Man Ray Frosted Objects (of my Affection) 1946 rayograph Albright-Knox Art Gallery, Buffalo, New York |
Nikolas Muray Frida Kahlo, New York 1946 carbon pigment print Brooklyn Museum |
Athol Shmith Fashion Shot 1946 gelatin silver print National Gallery of Victoria, Melbourne |
Sid Grossman Coney Island ca. 1947 gelatin silver print Yale University Art Gallery |
Sid Grossman Coney Island ca. 1947 gelatin silver print Yale University Art Gallery |
Godfrey Frankel Window, 3rd Avenue El, New York 1947 gelatin silver print Yale University Art Gallery |
Walker Evans Untitled ca. 1947 gelatin silver print Yale University Art Gallery |
But Dido – for who can deceive a lover? –
had caught his craftiness; she quickly sensed
what was to come; however safe they seemed,
she feared all things. That same unholy Rumor
brought her these hectic tidings: that the boats
were being armed, made fit for voyaging.
Her mind is helpless; raging frantically,
inflamed, she raves through the city – just
as a Bacchante when, each second year,
she is startled by the shaking of the sacred
emblems, the orgies urge her on, the cry
"o Bacchus" calls to her by night; Cithaeron
incites her with its clamor. And at last
Dido attacks Aeneas with these words . . .
– Aeneas fails to conceal from Dido his intended departure, from Book IV of Virgil's Aeneid, translated by Allen Mandelbaum (1971)