Leonardo da Vinci Head of a Warrior (study for painting, The Battle of Anghiari) ca. 1504-1505 drawing Museum of Fine Arts, Budapest |
Marcantonio Raimondi Roman Coin with Head of the Emperor Titus ca. 1520 drawing Graphische Sammlung Albertina, Vienna |
Jacopo da Trezzo Portrait of Philip II of Spain ca. 1559-62 onyx cameo with enameled-gold mount Palazzo Pitti, Florence |
Agostino Carracci Heads of Two Women ca. 1590-1600 drawing Musée des Beaux-Arts de Lyon |
Anonymous Italian Artist Antoninus Pius and Faustina the Elder 16th-17th century carnelian intaglio Palazzo Pitti, Florence |
Giovanni Bonazza Flavius Ansprandus, Lombard King ca. 1700-1720 marble relief Museum of Fine Arts, Budapest |
Anonymous Dutch Artist Silhouette of a Woman ca. 1775-1800 drawing Museum Het Valkhof, Nijmegen |
Johann Peter Pichler Maria Christina, Archduchess of Austria (sister of Marie Antoinette) ca. 1785 drawing Graphische Sammlung Albertina, Vienna |
François-Frédéric Grobon Portrait Study of Anthelme-Eugène Grobon 1834 drawing Musée des Beaux-Arts de Lyon |
Alexander Hugo Bakker-Korff Portrait of the artist's sister Ada ca. 1851 oil on canvas Museum De Lakenhal, Leiden |
William Wyon Portrait Head of Queen Victoria (Royal Academy of Arts Medal) 1874 silver Metropolitan Museum of Art, New York |
Roland Larij Study Head ca. 1885 oil on panel Museum Boijmans Van Beuningen, Rotterdam |
Achille Lauge Portrait of a Woman ca. 1894 oil on canvas Musée des Augustins de Toulouse |
Emil Orlik Portrait Study of a Woman 1899 lithograph Clark Art Institute, Williamstown, Massachusetts |
James Abbe John Barrymore in The Jest 1919 gelatin silver print Rhode Island School of Design, Providence |
Stephen Conroy The Poor King's Brother 1987 drawing Scottish National Galleries, Edinburgh |
from September Is
Memory is deeply not alive; it's a mock-up
And this renders it hateful. Yet, it is not fiction,
Is a truth, indeed a sad and monstrous truth.
Is a truth, indeed a sad and monstrous truth.
– Mary Jo Bang (2007)