Derain - Mourlot - De Maistre - Campbell

André Derain
Portrait of Isabel
ca. 1935
oil on canvas
North Carolina Museum of Art, Raleigh

André Derain
L'Enfant
ca. 1920
lithograph
Lowe Art Museum, University of Miami

André Derain
Le Cavalier au Cheval Blanc
ca. 1905
oil on canvas
National Gallery of Australia, Canberra

André Derain
Self Portrait in  the Studio
ca. 1903
oil on canvas
National Gallery of Australia, Canberra

Mourlot Imprimeurs (Paris)
Francis Picabia - Guggenheim Museum
1970
lithograph and letterpress (poster)
National Gallery of Australia, Canberra

Mourlot Imprimeurs (Paris)
Jacques Villon - Musée Toulouse-Lautrec
1955
lithograph and letterpress (poster)
National Gallery of Australia, Canberra

Mourlot Imprimeurs (Paris)
Odilon Redon - Orangerie des Tuileries
ca. 1965
lithograph and letterpress (poster)
National Gallery of Australia, Canberra

Mourlot Imprimeurs (Paris)
Vlaminck - Galerie Paul Petrides
1975
lithograph and letterpress (poster)
National Gallery of Australia, Canberra

Roy De Maistre
Objects in Mirror
ca. 1930-35
drawing, with added watercolor
National Gallery of Australia, Canberra

Roy De Maistre
Interior
ca. 1930-35
drawing
National Gallery of Australia, Canberra

Roy De Maistre
Botanical Gardens, Sydney
ca. 1925-30
drawing
National Gallery of Australia, Canberra

Roy De Maistre
Woman in Armchair
ca. 1925
drawing
National Gallery of Australia, Canberra

Cressida Campbell
Francis Street, East Sydney
2000
hand-colored woodcut
National Gallery of Australia, Canberra

Cressida Campbell
Music in the Kitchen
1994
screenprint
National Gallery of Australia, Canberra

Cressida Campbell
Seeds
1995
screenprint
National Gallery of Australia, Canberra

Cressida Campbell
Bedroom Nocturne
2022
hand-colored woodcut
National Gallery of Australia, Canberra

Sonnets from China

                                 III

Only a smell had feelings to make known,
Only an eye could point in a direction,
The fountain's utterance was itself alone:
He, though, by naming thought to make connection

Between himself as hunter and his food;
He felt the interest in his throat and found
That he could send a servant to chop wood
Or kiss a girl to rapture with a sound.

They bred like locusts till they hid the green
And edges of the world: confused and abject,
A creature to his own creation subject,

He shook with hate for things he'd never seen,
Pined for a love abstracted from its object,
And was oppressed as he had never been. 

– W.H. Auden (1938)