-Lovers-seated-on-Grassy-Plot-1450-67-engraving-British-Museum.jpg) |
| Master E.S. (German printmaker) Lovers seated on a Grassy Plot ca. 1450-67 engraving British Museum |
-Arms-of-Prince-Bishop-Rudolph-II-von-Scherenberg-and-of-the-Chapter-at-W%C3%BCrzburg-c1450-1500-hand-colored-engraving-British-Museum.jpg) |
| Monogrammist A.G. (German printmaker) Arms of Prince-Bishop Rudolph II von Scherenberg and of the Chapter at Würzburg ca. 1450-1500 hand-colored engraving British Museum |
-Candelabrum-with-Paired-Chimerical-Creatures-c1500-1525-a-engraving-British-Museum.jpg) |
| Monogrammist I.G. (Netherlandish printmaker) Candelabrum with Paired Chimerical Creatures ca. 1500-1525 engraving British Museum |
-Bases-of-Five-Corinthian-Columns-c1515-engraving-British-Museum.jpg) |
| Master of 1515 (Italian printmaker) Bases of Five Corinthian Columns ca. 1515 engraving British Museum |
-Doric-Capital-c1535-37-engraving-British-Museum.jpg) |
| Master G.A. with the Caltrop (Italian printmaker) Doric Capital ca. 1535-37 engraving British Museum |
-after-Polidoro-da-Caravaggio-Two-Terms-1538-engraving-Metropolitan-Museum-of-Art-New-York.jpg) |
| Monogrammist P.S. (Italian printmaker) after Polidoro da Caravaggio Two Terms 1538 engraving Metropolitan Museum of Art, New York |
-Coat-of-Arms-mounted-on-Tower-with-Personified-Virtues-c1560-80-woodcut-British-Museum.jpg) |
| Monogrammist H.E. (German printmaker) Coat of Arms mounted on Tower with Personified Virtues ca. 1560-80 woodcut British Museum |
-Design-for-Pendant-1609-b-engraving-British-Museum.jpg) |
| Monogrammist P.R.K. (Netherlandish printmaker) Design for Pendant 1609 engraving British Museum |
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| Jacob Matham after Hendrik Goltzius The Golden Age 1620 engraving Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Giuseppe Maria Mitelli Machina del Mondo ca. 1685 hand-colored etching British Museum |
-Design-for-an-Imperial-Crown-to-be-used-at-the-Coronation-of-the-New-Emperor-1804-hand-colored-etching-British-Museum.jpg) |
| Monogrammist J.B. (British printmaker) Design for an Imperial Crown (satire against Napoleon) 1804 hand-colored etching British Museum |
-1826-hand-colored-lithograph-British-Museum.jpg) |
| Henry Monnier Des Messieurs de Bonnes Maisons [coachmen and flunkies in distinctive liveries] 1826 hand-colored lithograph British Museum |
-National-Museum-of-American-History-Washington-DC.jpg) |
| Matt Morgan Florence Stover - Richmond & Von Boyle Comedy Company ca. 1885 lithograph (poster) National Museum of American History, Washington DC |
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| Gabriel Max Monkeys judging Art 1889 oil on canvas Neue Pinakothek, Munich |
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| Amedeo Modigliani Caryatid ca. 1912-13 drawing Denver Art Museum |
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| Richard McLean Medallion 1974 oil on canvas Guggenheim Museum, New York |
-1999-household-gloss-paint-on-canvas-Guggenheim-Museum-New-York.jpg) |
| Sarah Morris Mandalay Bay (Las Vegas) 1999 household gloss paint on canvas Guggenheim Museum, New York |
from Christ's Triumph after Death
It is no flaming lustre made of light,
No sweet concent or well-timed harmony,
Ambrosia for to feast the appetite,
Or flowery odour mixed with spicery,
No soft embrace or pleasure bodily,
And yet it is a kind of inward feast,
A harmony that sounds within the breast,
An odour, light, embrace, in which the soul doth rest.
– Giles Fletcher (1610)