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| Louis-Maurice Boutet de Monvel Portrait of a Child in a Sailor Suit 1884 oil on canvas Musée des Beaux-Art d'Orléans |
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| Britta Skaar Man with Pipe ca. 1950 etching Stortingets Kunstsamling, Oslo |
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| Wilhelm Titel Portrait of a Girl 1820 oil on canvas Pomeranian State Museum, Greifswald |
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| Jan Veth Portrait of Anna Cornelia Giltay 1887 oil on canvas Dordrechts Museum, Netherlands |
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| Jean Clouet Portrait of François, duc de Bretagne, Dauphin of France (died at age 18) ca. 1520-25 oil on panel Royal Museum of Fine Arts, Antwerp |
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| Leopold Kalckreuth Portrait of a Man at his Desk 1899 oil on canvas National Museum, Warsaw |
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| Paula Modersohn-Becker Girl with Wreath 1902 oil on cardboard Landesmuseum, Hannover |
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| Rembrandt van Rijn The Artist's Mother 1631 etching Städtisches Museum, Braunschweig |
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| Jan Mytens Portrait of Christina Pompe 1655 oil on panel Dordrechts Museum, Netherlands |
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| Gerbrand van den Eeckhout Study of an Old Man before 1674 etching Graphische Sammlung, ETH Zürich |
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| Jean-Baptiste Greuze Head of a Boy ca. 1775 drawing Hamburger Kunsthalle |
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| Georges de La Tour Penitent St Jerome ca. 1628-30 oil on canvas Musée de Grenoble |
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| Dirk Helmbreker Portrait of a Girl 1653 drawing Kupferstichkabinett, Staatliche Museen zu Berlin |
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| John Singer Sargent Portrait of Manuel García 1904-1905 oil on canvas Rhode Island School of Design, Providence |
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| Inta Ruka Natasha Kurova 2004 gelatin silver print Moderna Museet, Stockholm |
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| Arnold Johansen Sverre 1987 etching KORO (Public Art Norway), Oslo |
Athena: The matter is too great for any mortal who may think he can decide it; but neither is it proper for me to judge a case of murder which can give rise to fierce words – especially since you have approached this temple, disciplined to suffering, as a pure and harmless suppliant, while these beings have an allotted function that is hard to dismiss, and if they do not get a victorious outcome, the poison that will afterwards fall from their outraged pride into the soil will be an unbearable, unending plague for this land. That is how it is: both options, to let you remain or to send you away, are very hard for me to take without incurring wrath. Nevertheless, since this matter has fallen upon us here, I shall choose for my city men without fault to be judges of homicide, respecting the ordinance of an oath which I shall establish for all time. [Addressing both Orestes and Chorus] Will you please collect testimonies and proofs as supporting props for your pleas; I will come back when I have chosen the best among my citizens to decide this issue well and truly, not being led by unrighteous thoughts to violate their oath in any way at all. [Exit Athena.]
Chorus of Furies:
Now comes the overthrow of ordained
laws, if the injurious cause
of this slayer of his mother
is going to prevail.
This event will at once unite
all mortals in total licentiousness.
Many very real sufferings,
wounds inflicted by their children, await parents
in the future, as time passes.
– Aeschylus, from Eumenides (458 BC), translated by Alan H. Sommerstein (2008)




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