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| Giovanni del Biondo Christ in the Tomb ca. 1370-90 tempera on panel (predella fragment) Gemäldegalerie, Staatliche Museen zu Berlin |
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| Matthias Grünewald Isenheim Altarpiece 1512-16 oil on panel Musée Unterlinden, Colmar |
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| Giacomo Francia Ornamental Panel with Griffin and Lion ca. 1520 engraving British Museum |
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| Girolamo da Treviso the Younger Virgin and Child with Saints before 1544 drawing Metropolitan Museum of Art, New York |
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| Hendrik Hondius the Elder after Hans Vredeman de Vries Perspective Study - Ionic Order - Triumphal Arch 1605 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Hans Ulrich Franck Scene of War ca. 1643-56 etching Graphische Sammlung, ETH Zürich |
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| Désiré Guilmard Fauteuil Siamois ca. 1850 hand-colored lithograph Cooper-Hewitt Smithsonian Design Museum, New York |
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| Otto Greiner Ex Libris - Marianne Brockhaus ca. 1900 lithograph British Museum |
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| Roger Fry Design for a Rug for Arthur Ruck to be produced by Omega Workshops 1915 colored paper collage Victoria & Albert Museum, London |
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| Alberto Giacometti Piazza 1947-48 bronze Peggy Guggenheim Collection, Venice |
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| Leslie Gill Fashion Shot for Shoes ca. 1952 gelatin silver print private collection |
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| Antonio Frasconi Alhambra VII 1962 color woodblock print Smithsonian American Art Museum, Washington DC |
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| George Giusti Willy Brandt 1970 relief of aluminum and colored paper (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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| Terry Frost Alhambra Black 1975 screenprint Victoria & Albert Museum, London |
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| John Grazier Memory of a Porch 1976 lithograph Smithsonian American Art Museum, Washington DC |
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| Thaddeus Holownia 84 rue de Grenelle 7e, Paris 2007 gelatin silver print Beaverbrook Art Gallery, Fredericton, New Brunswick |
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| Karen Hackenberg Amphorae 2012 oil on canvas private collection |
from Claudian's Proserpine
[Invocation and Subject]
Ye mighty Demons, whose tremendous sway
The shadowy tribes of airy Ghosts obey,
To whose insatiate portion ever fall
All things that perish on this earthly ball,
Whom livid Styx with lurid torrent bounds
And fiery Phlegethon for aye surrounds,
Dark, deep and whirling round his flaming caves
The braying vortex of his breathless waves,
Eternal Spirits! to your bard explain
The dread Arcana of the Stygian reign –
How that stern Deity, Infernal Jove,
First felt the power, and owned the force of love;
How Hell's fair Empress first was snatched away
From Earth's bright regions, and the face of day;
How anxious Ceres wandered far and near
Now torn by grief and tortured now by fear,
Whence laws to man are given, and acorns yield
To the rich produce of the golden field.
– Claudian (AD 370-404), translated by Alfred Tennyson (ca. 1820)
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