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| Nicolas Beatrizet Rana Piscatrix from Aquatilium Animalium Historiæ 1554 engraving (book illustration) Herzog August Bibliothek, Wulfenbüttel |
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| Nicolas Beatrizet Sepia Sopina from Aquatilium Animalium Historiæ 1554 engraving (book illustration) Herzog August Bibliothek, Wulfenbüttel |
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| Nicolas Beatrizet Serpens Marina from Aquatilium Animalium Historiæ 1554 engraving (book illustration) Herzog August Bibliothek, Wulfenbüttel |
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| Giovanni Andrea Maglioli Sea Monster before 1610 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Cherubino Alberti Leviathan with Putto before 1615 engraving Graphische Sammlung, ETH Zürich |
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| Roman Empire Jonah Cast Up AD 280-290 (early Christian) marble Cleveland Museum of Art, Ohio |
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| Barthel Beham Triton and Nereid ca. 1524 engraving Graphische Sammlung, ETH Zürich |
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| Christian Wilhelm Ernst Dietrich Combat of Tritons 1763 engraving Graphische Sammlung, ETH Zürich |
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| Lucas Kilian after Georg Pecham Equestrian Nymphs in the Waves ca. 1620 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Lucas Killian Ornamental Banner supported by Mermen 1610 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Alexander Rothaug On a Northern Beach (Mermaid) ca. 1910 oil on canvas Leopold Museum, Vienna |
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| Albert Bierstadt Farallon Island 1887 oil on canvas Carnegie Museum of Art, Pittsburgh |
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| Jan Sadeler the Elder after Dirck Barendsz Four Elements - Neptune as Water 1587 engraving Herzog August Bibliothek, Wulfenbüttel |
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| Virgil Solis Neptune shaking the Earth with his Trident ca. 1550-60 woodcut Herzog August Bibliothek, Wulfenbüttel |
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| Auguste Préault The Wave 1856 terracotta Musée Magnin, Dijon |
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| James Ensor The Skate 1892 oil on canvas Musée Fin-de-Siècle, Brussels |
[Athena has come to the urns and is now standing over them, voting-token in hand.]
Athena: This is now my task, to be the last to judge this case; and I shall cast this ballot for Orestes. There is no mother who gave birth to me, and I commend the male in all respects (except for joining in marriage) with all my heart: in the fullest sense, I am my Father's child. Therefore, I shall not set a higher value on the death of a woman, when she had killed her husband, the guardian of her house. [She drops her ballot into the urn for acquittal.] The defendant wins, even if the judges' votes on him are equally divided. Empty the ballots from the urns at once, you of the judges to whom this function has been assigned.
[Athena returns to her seat. While the next few lines are being spoken, two of the judges go up to the urns and turn them upside down on the table.]
Orestes: O Phoebus Apollo, how will the verdict turn out?
Chorus of Furies: O black Mother Night, do you see this?
Orestes: Now for me it's either the fatal noose, or the light of day.
Chorus: And for us it's either ruin, or continuing to enjoy our privileges.
Chorus: And for us it's either ruin, or continuing to enjoy our privileges.
[The tellers now lift aside the urns, revealing the two piles of votes, which they count during the following speech.]
Apollo: Count the emptied ballots correctly, gentlemen, scrupulously respecting justice in determining the outcome. A lack of good judgement can cause great harm, and a single vote can set an afflicted house on its feet.
[The tellers go up to Athena and quietly inform her of the result of the count.]
Athena [rising and extending her right arm towards Orestes]: This man stands acquitted of the charge of bloodshed. The votes have been counted, and they are equal.
– Aeschylus, from Eumenides (458 BC), translated by Alan H. Sommerstein (2008)
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