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| workshop of Jan van Eyck Portrait Study of a Man ca. 1430-40 drawing British Museum |
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| Adrien Ysenbrandt Young Man with a Rosary before 1551 oil on canvas Norton Simon Museum, Pasadena, California |
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| Giovanni Battista Ferrari after Pietro da Cortona Frontispiece to The Hesperides 1646 hand-colored engraving Minneapolis Institute of Art |
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| Gerbrand van den Eeckhout Boy seated on the ground ca. 1655 drawing British Museum |
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| Ciro Ferri Christ and the Woman of Samaria ca. 1670-80 oil on canvas Liechtenstein Museum, Vienna |
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| Allaert van Everdingen Landscape with Ruined Castle and Plank Bridge before 1675 drawing British Museum |
-before-1678-etching-Museum-f%C3%BCr-Angewandte-Kunst-Vienna.jpg) |
| Giovanni Battista Falda Plan of the Vatican Gardens as laid out under Pope Sixtus V (died 1590) before 1678 etching Museum für Angewandte Kunst, Vienna |
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| Pietro Fancelli Draped Woman leaning on Balustrade ca. 1800 drawing Agnes Etherington Art Centre, Kingston, Ontario |
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| Émile Faivre Head of Youth before 1868 drawing British Museum |
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| Anselm Feuerbach Study for a Venetian Scene ca. 1877 watercolor on paper British Museum |
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| George Wilson The Spring Witch ca. 1880 oil on canvas Delaware Art Museum, Wilmington |
-Rome-Fontanella-delle-Api-Piazza-Barberini-c1910-hand-colored-lantern-slide-Archives-of-American-Gardens-Washington-DC.jpg) |
| Williams, Brown & Earle (Philadelphia) Fontanella delle Api, Piazza Barberini, Rome ca. 1910 hand-colored lantern slide Archives of American Gardens, Washington DC |
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| Abel Faivre Entrez! Marianne at table [personification of France] with black-hung portrait of Armand Fallières, defeated for President of the Republic by Raymond Poincaré, who knocks at the door 1913 lithograph (magazine illustration for Le Rire) Universitätsbibliothek, Heidelberg |
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| Paul Wonner Girl in Swing 1957 oil on canvas Smithsonian American Art Museum, Washington DC |
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| Emerson Woelffer Portrait of Max Ernst 1970 lithograph Amon Carter Museum, Fort Worth, Texas |
-Androgeny-Breast-Feeding-a-Fetus-1981-gelatin-silver-print-Art-Institute-of-Chicago.jpg) |
| Joel-Peter Witkin Androgyny Breast-Feeding a Fetus 1981 gelatin silver print Art Institute of Chicago |
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| Kate Lucey Whitney Garden Shed at The Whim, Newport, Rhode Island 2010 digital photograph Archives of American Gardens, Washington DC |
Viola's Song
Wake all the dead! What ho! What ho!
How soundly they sleep whose pillows lie low!
They mind not poor lovers who walk above
On the decks of the world in storms of love.
No whisper now or glance can pass
Through wickets or through panes of glass;
For our windows and doors are shut and barred.
Lie close in the church, and in the churchyard.
In every grave make room, make room!
The world's at an end, and we come, we come.
The state is now love's foe, love's foe;
Has seized on his arms, his quiver and bow;
Has pinioned his wings, and fettered his feet,
Because he made way for lovers to meet.
But O sad chance, his judge was old;
Hearts cruel grow, when blood grows cold.
No man being young his process would draw.
O heavens that love should be subject to law!
Lovers go woo the dead, the dead!
Lie two in a grave, and to bed, to bed!
– Sir William Davenant (1673)