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| Stefano della Bella Head of a Satyr ca. 1647 etching British Museum |
The man in a fur hat (below) gives evidence that Stefano della Bella (1610-1664) found opportunities to study the engraved self-portraits of his Netherlandish contemporary, Rembrandt. The frightened soldier who shares the plate is probably derived from a baroque Italian painting of the same period. As observed earlier, della Bella alternates in this group between idiosyncratic character-studies and idealized glamour-images.
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| Stefano della Bella Frightened Soldier & Man in Fur Hat 1652 etching Metropolitan Museum of Art |
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| Stefano della Bella Sultana with Turban ca. 1649-50 etching Metropolitan Museum of Art |
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| Stefano della Bella Mother with Child on Donkey, assisted by Satyr ca. 1646 etching Metropolitan Museum of Art |
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| Stefano della Bella Young Man of Fashion ca. 1645-50 etching British Museum |
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| Stefano della Bella Lady of Fashion ca. 1645-50 etching British Museum |
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| Stefano della Bella Old Turk seated on a Stone ca. 1662 etching Metropolitan Museum of Art |
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| Stefano della Bella Four Turks ca. 1662 etching Metropolitan Museum of Art |
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| Stefano della Bella Head of a Woman 1650 etching British Museum |
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| Stefano della Bella Head of a Woman from the back ca. 1647 etching British Museum |
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| Stefano della Bella Head of a Woman in profile ca. 1646 etching Metropolitan Museum of Art |
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| Stefano della Bella Head of a Woman in profile ca. 1647 etching British Museum |
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| Stefano della Bella Six Heads ca. 1649 etching Metropolitan Museum of Art |
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| Stefano della Bella Head of an Old Woman ca. 1649 etching Metropolitan Museum of Art |