Tuesday, July 5, 2016

Engraved Portraits by Ottavio Leoni, 17th century

Ottavio Leoni
Self-portrait
1620s
etching
British Museum

Ottavio Leoni made portraits of many Roman worthies between 1615 and 1630. For posterity, Leoni memorialized the cycles of popes and cardinals as they rose and fell. Great numbers of these power-people felt a passionate commitment toward the art of their own day. They commissioned and they collected, mightily. During the 17th century these were the most sophisticated connoisseurs in Europe. And the majority were ecclesiastics.

Ottavio Leoni
Portrait of Pope Urban VIII (Barberini)
1625
engraving
British Museum

Ottavio Leoni
Portrait of Cardinal Francesco Barberini
1624
engraving
British Museum

Ottavioi Leoni
Portrait of Cardinal Antonio Barberini
1625
engraving
British Museum

Ottavio Leoni
Portrait of Cardinal Ludovico Ludovisi
1628
engraving
British Museum

Ottavio Leoni also represented fellow artists. In 1614 he became principe of the Accademia di San Luca, a fraternal guild for Roman arists founded by Federico Zuccaro for an elected membership in 1593. Members traditionally contributed portraits of themselves to the Academy, and Leoni produced a series of engraved portraits of member-artists along the same lines.

Ottavio Leoni
Portrait of the painter Guercino
1623
engraving
British Museum

Ottavio Leoni
Portrait of the painter Simon Vouet
1625
engraving
British Museum

Ottavio Leoni
Portrait of the painter known as the Cavaliere d'Arpino
1621
engraving
British Museum

Ottavio Leoni
Portrait of painter and author Giovanni Baglione
1620
engraving
British Museum

Ottavio Leoni
Portrait of the painter Tommaso Salini
1625
etching
British Museum

In 2001 the Royal Academy of Arts in London mounted an exhibition called The Genius of Rome 1592-1623. The catalog was edited by Beverly Louise Brown and included an essay on Portraiture by Clovis Whitfield – "portraiture had tended not to be regarded very highly. It was considered a reproductive talent and Italian painters had a tendency either to specialize in it and not compete for history and religious commissions, or to practice it only occasionally." 

Whitfield gives credit to Ottavio Leoni for encouraging a trend that would soon lead to a European explosion of portrait publishing and new careers for many fine artists as well as many hacks.

Ottavio Leoni
Portrait of Ottavio's father, Ludovico Leoni
1625
engraving
British Museum

Ottavio Leoni
Portrait of court buffoon Raffaello Menicucci
1625
engraving
British Museum

Ottavio Leoni
Portrait of Galileo Galilei
1624
engraving
British Museum

Ottavio Leoni
Four male heads
1620s
etching
British Museum

I am grateful to the British Museum for making these images available.