Sunday, December 18, 2016

Funerals, Tombs, Conclusions

Queen Victoria's funeral procession at Hyde Park Corner
1901
bromide print
National Portrait Gallery, London

Queen Victoria's funeral procession with royal mourners on horseback
1901
bromide print
National Portrait Gallery, London

Queen Victoria's funeral procession entering Paddington Station
1901
bromide print
National Portrait Gallery, London

Death
                                      The other shape
If shape it might be called that shape had none
Distinguishable in member, joint, or limb,
Or substance might be called that shadow seemed,
For each seemed either; black it stood as Night,
Fierce as ten Furies, terrible as Hell,
And shook a dreadful Dart; what seemed his head
The likeness of a Kingly Crown had on. 
                                           Paradise Lost, Book II (1667)     

Dirck van Delen
Family posing at the tomb of William the Silent in the Neuwe Kirk, Delft
1645
oil on panel
Rijksmuseum, Amsterdam

Miguel Jacinto Meléndez
Burial of the Count of Orgaz
1734
oil on canvas
Prado, Madrid

Death-mask of the painter Sir Thomas Lawrence
1830
plaster cast
National Portrait Gallery, London

Jacques Louis David
Study for the Death of Socrates
1780s
drawing
Metropolitan Museum of Art, New York

Jacques Louis David
The Death of Socrates
1787
oil on canvas
Metropolitan Museum of Art, New York

Marcantonio Raimondi after Michelangelo
Death and the Maiden
16th century
engraving
Victoria & Albert Museum, London

The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught except its living years. 
                             George Gordon, Lord Byron (1812) 

Anonymous Bolognese artist
Dead Christ
16th century
drawing
British Museum

Anonymous Italian artist
Fallen Soldier
17th century
drawing
British Museum

Jean-Baptiste Marie Pierre
Death of Harmonia
ca. 1740-41
oil on canvas
Metropolitan Museum of Art, New York

Giuseppe Cades
Death of Leonardo da Vinci in the arms of King Francis I
1783
chalk drawing with pastel
Ashmolean Museum, Oxford

Gilbert Francart
Allegory of Death
17th century
drawing
Ashmolean Museum, Oxford

For the Angel of Death spread his wings on the blast,
And breathed on the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and for ever grew still!
                                              The Destruction of Sennacherib (Byron, 1815) 

Egypt
False Door in the West Wall of the Tomb Chapel of Raemkai 
ca. 2400 BC (excavated 1907-08)
limestone
Metropolitan Museum of Art, New York