Sunday, December 4, 2016

Lithographs from Russia, France, England & Italy

V.V. Ponomarev
A Song
published in Moscow
1888
hand-coloredlithograph
British Museum

V.V. Ponomarev
The Innkeeper who has lost everything returns Home
published in Moscow
1888
hand-colored lithograph
British Museum

V.V. Ponomarev
There's no place for him in Petersburg, he goes to the Village to con the fools there
published in Moscow
1888
hand-colored lithograph
British Museum

Anonymous print-maker
The man from Iaroslav returns home
published in Moscow
1878
hand-colored lithograph
British Museum

Eugène Delacroix
Feuille de quatre médailles antiques
1825
lithograph
British Museum

Eugène Delacroix
Feuille de six médailles antiques
1825
lithograph
British Museum

Eugène Delacroix
Feuille de neuf médailles antiques
1825
lithograph
British Museum

Eugène Delacroix
Feuille de douze médailles antiques
1825
lithograph
British Museum

Above a series of lithographs by Eugène Delacroix (1798-1863) from the 1820s  concise renderings of Greek and Roman coins and medals.  Such artifacts had remained a primary source of ideas for working artists since the earliest days of the Renaissance.

Below, lithographs from early in the century, created during the Napoleonic wars. They are full of horses in violent action, as observed by Sir James Stuart (1779-1849), amateur painter and print-maker and friend of that arch-romantic Sir Walter Scott.

Sir James Stuart
Cavalry
1803
lithograph
British Museum

Sir James Stuart
Horses
1803
lithograph
British Museum

Sir James Stuart
Three Cavaliers
ca. 1803
lithograph
British Museum

Sir James Stuart
Cavaliers
ca. 1803
lithograph
British Museum

Anonymous print-maker
Colosseum, Rome
1790s
hand-colored lithograph
British Museum

Anonymous print-maker
Castel Sant'Angelo with St. Peter's in the distance, Rome
1790s
hand-colored lithograph
British Museum

I am grateful to the British Museum for making these images available.