Friday, January 15, 2021

European and British Study-Drawings - Eighteenth Century

Henry Fuseli
Angel Dancing with Female Figure
ca. 1777
drawing
British Museum

Henry Fuseli
The Artist moved by the Grandeur of Antique Fragments
(Colossus of Constantine, Rome)
1778-79
drawing
Kunsthaus, Zürich

Thomas Gainsborough
Path through a Wood
ca. 1750-60
drawing
Art Institute of Chicago

Thomas Gainsborough
Study of a Lady
ca. 1785
drawing
private collection

Sebastiano Galeotti
Mercury in Clouds
1741
drawing
Museo del Prado, Madrid

Jean-Honoré Fragonard after Caravaggio
Supper at Emmaus
ca. 1760-61
drawing
Art Institute of Chicago

Jean-Honoré Fragonard
Fête Galante in an Ancient Park (detail)
ca. 1760-70
drawing
Städelsches Kunstinstitut, Frankfurt

Frans Xaver Wagenschön
Daedalus forming the wings of Icarus
before 1790
drawing
Metropolitan Museum of Art, New York

John Hamilton Mortimer
Apollo embracing Bust of dramatist John Gay 
(design for frontispiece to Bell's British Theatre)
1777
drawing
Tate Britain

To an Unrepentant Plagiarist

          I acknowledge and regret that I used passages from your book.
                             Alexander Theroux, in a letter to Gail Levin

Alexander Theroux: How do you do it?
Pilfer, that is, then bull your way through it –
     Unblushing, seeming even to enjoy
     Your infamy as literature's bad boy.
Don't any of the sneers get through to you? It

Must act, in fact, as a drug. You have to do it,
Helplessly recidivist. You may rue it
     Even as the camera catches coy
          Alexander Theroux

With his hand in the till again. But you do it.
The impulse controls you; you cannot subdue it.
     Well, here's new pleasure that cannot cloy:
A confessional poem! Just sign your name to it:
          Alexander Theroux.

– Tom Disch (1997)

John Hamilton Mortimer
The Prisoner
ca. 1770
drawing
Tate Britain

John Hamilton Mortimer
Monstrous Male Figure, possibly Caliban
before 1779
drawing
Tate Britain

John Hamilton Mortimer
Study of a Cast of the Bacchus of Sansovino
before 1779
drawing
Tate Britain

Jean-Antoine Watteau after Peter Paul Rubens
Venus, Bacchus and Ariadne
(from Marie de Medici Cycle in the Louvre)
before 1721
drawing
British Museum

Jean-Antoine Watteau after Anthony van Dyck
Copy of van Dyck Self Portrait
ca. 1715-20
drawing
private collection

Jean-Antoine Watteau
Study of Seated Woman
before 1721
drawing

Rijksmuseum, Amsterdam