Wednesday, January 13, 2021

Preparing to Paint - Italian Study-Drawings II

Giovanni Battista Trotti (il Molosso)
Study for Figure of David in Spandrel
before 1619
drawing
Groeningemuseum, Bruges

Giovanni Battista Trotti (il Molosso)
Drapery Study of Kneeling Supplicating Woman
before 1619
drawing
Metropolitan Museum of Art, New York

Guido Reni
Study of Model for Figure of Christ in the Tomb
ca. 1616
drawing
Museum Boijmans Van Beuningen, Rotterdam

Guercino
Executioner with the Head of St John the Baptist
ca. 1610
drawing
Museu Nacional de Arte Antiga, Lisbon

Guercino
Two Putti
ca. 1626
drawing
Museum Boijmans Van Beuningen, Rotterdam

Guercino
St Sebastian
ca. 1632-34
drawing
Museum Boijmans Van Beuningen, Rotterdam

Guercino
Study of Seated Man
before 1666
drawing
private collection

Elisabetta Sirani
Study of Woman wearing a Turban
before 1665
drawing
Museo Diocesano, Milan

"Those arts which reveal the genera or modes by which things are made, e.g. painting, sculpture, modelling and architecture, proceed with greater certainty towards the goal they have set themselves than those which do not reveal them, i.e. the conjectural arts such as oratory, politics and medicine.  The former arts reveal them because they are concerned with the prototypes which the human mind contains within itself, whereas the latter do not because man does not have within himself the form of the things which are conjectured.  . . .  And in the imitative arts, e.g. painting, sculpture, modelling and poetry, excellence belongs to those who embellish an archetype from the realm of common nature not with common but with new and wonderful details, or who decorate an archetype which has been represented by another artist with their own superior details and make it their own."  

– Giambattista Vico, On the Ancient Wisdom of the Italians taken from the Origins of the Latin Language (1710), translated from Italian by Leon Pompa (1982) 

Giovanni Battista Passeri
Anatomy Lesson
1674
drawing
Accademia di San Luca, Rome

Giovanni Battista Passeri
Anatomy Lesson
1674
drawing
Accademia di San Luca, Rome

Giuseppe Nicola Nasini
Abraham banishing Hagar and Ishmael
ca. 1690
drawing
Metropolitan Museum of Art, New York

Canaletto
Capriccio with Ruined Classical Temple
ca. 1740-50
drawing
Art Institute of Chicago

Pietro Antonio Novelli
Pair of Telemons (Atlantes)
ca. 1750
drawing
private collection

Jacopo Guarana
Satyr reclining on a Ledge
ca. 1770
drawing
Metropolitan Museum of Art, New York

Jacopo Guarana
Satyr reclining on a Ledge
ca. 1770
drawing
Metropolitan Museum of Art, New York