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| Pietro Dandini Study of the Head of the Laocoön before 1712 drawing Art Institute of Chicago |
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| Pietro Dandini Studies of Figures for Ceiling Fresco before 1712 drawing British Museum |
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| Pietro Dandini Académie before 1712 drawing Harvard Art Museums |
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| Pietro Dandini Académie before 1712 drawing Musée du Louvre |
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| Pietro Dandini San Gaetano accompanied by Faith presents the Church to the Holy Trinity ca. 1680 ceiling fresco Chiesa di San Gaetano, Florence |
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| Pietro Dandini San Gaetano accompanied by Faith presents the Church to the Holy Trinity (detail) ca. 1680 ceiling fresco Chiesa di San Gaetano, Florence |
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| Pietro Dandini Tondo with a Miracle of the Madonna dell'Annunziata ca. 1687-1703 fresco Basilica della Santissima Annunziata, Florence |
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| Pietro Dandini Tondo with a Miracle of the Madonna dell'Annunziata ca. 1687-1703 fresco Basilica della Santissima Annunziata, Florence |
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| Pietro Dandini Tondo with a Miracle of the Madonna dell'Annunziata ca. 1687-1703 fresco Basilica della Santissima Annunziata, Florence |
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| Pietro Dandini Worship of the Holy Trinity (detail) 1696 ceiling fresco Cappella Nuova, Villa La Petraia, Florence |
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| Pietro Dandini Worship of the Holy Trinity (detail) 1696 ceiling fresco Cappella Nuova, Villa La Petraia, Florence |
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| Pietro Dandini Worship of the Holy Trinity (detail) 1696 ceiling fresco Cappella Nuova, Villa La Petraia, Florence |
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| Pietro Dandini Four Allegorical Figures ca. 1685 ceiling fresco Palazzo Tempi, Florence |
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| Pietro Dandini Allegory of Concord ca. 1675-85 oil on canvas Palazzo Pretorio, Prato |
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| Pietro Dandini Death of Lucretia ca. 1690 oil on canvas private collection |
Pietro Dandini – Tuscan School. He was the son and pupil of Vincenzo Dandini, and was also a follower of the manner of Cortona; but he studied also the works of the great masters of the Venetian School, of which he gave evidence in his best or most carefully painted works. He possessed great facility of execution, undertook more than he could accomplish, and as he painted much for gain, his pictures are frequently very slightly and negligently executed.
– Maria Farquhar, Biographical Catalogue of the Principal Italian Painters (London: John Murray, 1855)