Monday, February 3, 2025

Gazing Inward - II

Ferdinand Georg Waldmüller
Portrait of the Mother
of Captain von Stierle-Holzmeister

1819
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Félix Vallotton
Portrait of Madame Gabrielle Vallotton
1905
oil on canvas
Musée des Beaux-Arts de Bordeaux

Francesco Solimena
Ornamental Overdoor with Bound Slave
ca. 1720-30
oil on canvas
Landesmuseum Hannover

Denman Waldo Ross
Half-Length Study of Model
ca. 1890
watercolor and gouache on paper
Harvard Art Museums

Émile-Jules Pichot
Figure Study of Old Man
ca. 1878-79
drawing
Getty Museum, Los Angeles

Albert von Keller
Portrait of a Young Woman
ca. 1880
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Walter Hege
Apollo
(Temple of Zeus at Olympia)
1935
gelatin silver print
Museum Ludwig, Cologne

Girolamo Genga
Minerva
ca. 1506-1509
detached fresco
(frieze fragment)
Princeton University Art Museum

François Duquesnoy
Portrait of Nicolas Poussin
ca. 1630
marble
Bode Museum, Berlin

Leendert van der Cooghen
Portrait of Cornelis Cornelisz
ca. 1654
drawing
Rijksmuseum, Amsterdam

Simone Cantarini (il Pesarese)
St John the Baptist in the Wilderness
ca. 1640
oil on canvas
Galleria Borghese, Rome

Georg Böttger
Bust of Hercules
(based on the Farnese Hercules in Naples)
ca. 1870
albumen print
Museum Ludwig, Cologne

Joachim Beuckelaer
Portrait of a Young Woman
1569
oil on panel
Art Institute of Chicago

Anonymous Netherlandish Artist
Portrait of a Young Woman wearing a Crown
ca. 1500
oil on panel
Kunsthistorisches Museum, Vienna

Jan Veth
Portrait of artist Mauritz Willem van der Valk
1897
oil on canvas
Dordrechts Museum

Bartolomeo Veneto
Portrait of a Man
ca. 1520
oil on panel, transferred to canvas
National Gallery of Art, Washington DC

Pandora's Box

I might lift the eaves again
and startle a small room still lit from within
and finger the traces I left there.

The considerations of days
lurk behind porous walls.
They cling there like stains.

Carpets soaked in the seepage of dreams,
flakes of skin
piled on surfaces as thick as dust.

There's a head-shape in the pillow
like a big fingerprint.
Memories flutter up like insects –

small shrieks, minor crimes inside
an inked-up window-pane
with clotted stars,

and now, outside the shut box,
this black beach with an ocean on it
breathing in waves,

tiered like plate glass,
and the whole world at night-time
a wide sea full of starfish waiting to be caught.

– Caitríona O'Reilly, The Nowhere Birds (2001)