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Hans (Jean) Arp Fleur Marteau 1916 painted wood relief Kunstmuseum, The Hague |
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Hans (Jean) Arp Croix Collage 1917 screenprint Moderna Museet, Stockholm |
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Hans (Jean) Arp Overturned Blue Shoe with Two Heels under a Black Vault ca. 1925 painted wood relief Peggy Guggenheim Collection, Venice |
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Hans (Jean) Arp Head and Shell ca. 1933 brass Peggy Guggenheim Collection, Venice |
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Hans (Jean) Arp Shell Crystal 1938 plaster Guggenheim Museum, New York |
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Hans (Jean) Arp Constellation ca. 1938 linocut Detroit Institute of Arts |
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Hans (Jean) Arp Vue et Entendue 1942 copper alloy Nelson-Atkins Museum of Art, Kansas City, Missouri |
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Hans (Jean) Arp Configuration Méditerranéenne 1949 lithograph Detroit Institute of Arts |
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Hans (Jean) Arp Evocation d'une Forme Humaine, Lunaraire, Spectrale 1950 bronze Brooklyn Museum |
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Hans (Jean) Arp Pistil 1950 plaster Detroit Institute of Arts |
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Hans (Jean) Arp Constellation 1951 lithograph Kunstmuseum, The Hague |
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Hans (Jean) Arp Avant d'être Musique 1953 woodcut Nelson-Atkins Museum of Art, Kansas City, Missouri |
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Hans (Jean) Arp Star 1958 copper Kunstmuseum, The Hague |
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Hans (Jean) Arp Homme vu par une Fleur 1958 bronze Museum Boijmans Van Beuningen, Rotterdam |
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Hans (Jean) Arp Entre Feuille et Oiseau 1959 black granite on white stone Detroit Institute of Arts |
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Hans (Jean) Arp Helmeted Head II 1959 bronze Phillips Collection, Washington DC |
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Hans (Jean) Arp Demeter 1961 plaster Detroit Institute of Arts |
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Hans (Jean) Arp Torso of a Giant 1964 bronze Detroit Institute of Arts |
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Hans (Jean) Arp Poupée Basset 1965 bronze Art Institute of Chicago |
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Hans (Jean) Arp De la Famille des Étoiles 1965 lithograph Detroit Institute of Arts |
from An Adventure
1.
It came to me one night as I was falling asleep
that I had finished with those amorous adventures
to which I had long been a slave. Finished with love?
my heart murmured. To which I responded that many profound discoveries
awaited us, hoping, at the same time, I would not be asked
to name them. For I could not name them. But the belief that they existed –
surely this counted for something?
2.
The next night brought the same thought,
this time concerning poetry, and in the nights that followed
various other passions and sensations were, in the same way,
set aside forever, and each night my heart
protested its future, like a small child being deprived of a favorite toy.
But these farewells, I said, are the way of things.
And once more I alluded to the vast territory
opening to us with each valediction. And with that phrase I became
a glorious knight riding into the setting sun, and my heart
became the steed underneath me.
3.
I was, you will understand, entering the kingdom of death,
though why this landscape was so conventional
I could not say. Here, too, the days were very long
while the years were very short.
– Louise Glück (2014)