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| Martin Munkácsi Jumping a Puddle 1934 gelatin silver print Metropolitan Museum of Art, New York |
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| John Piper Black Ground (Screen for the Sea) 1938 oil on canvas Scottish National Gallery of Modern Art, Edinburgh |
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| László Moholy-Nagy La Sarraz 1930 collage, watercolor, gouache, ink and graphite on paper Guggenheim Museum, New York |
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| Man Ray The Model 1933 gelatin silver print Metropolitan Museum of Art, New York |
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| Gabriele Münter Snow-Covered Pine 1933 oil on panel Guggenheim Museum, New York |
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| Brassaï Nude ca. 1933 gelatin silver print Metropolitan Museum of Art, New York |
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| Ilse Bing Coat of Arms 1933 gelatin silver print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| George Platt Lynes Christopher Isherwood 1939 gelatin silver print Metropolitan Museum of Art, New York |
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| Taro Okamoto Boutique Foraine 1937 oil on canvas Guggenheim Museum, New York |
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| Georgia O'Keeffe The Mountain, New Mexico 1931 oil on canvas Whitney Museum of American Art, New York |
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| Nickolas Muray Diego Rivera and Frida Kahlo hosting friends in Mexico City 1938 gelatin silver print Archives of American Art, Washington DC |
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| Lee Miller Self Portrait 1932 gelatin silver print Scottish National Gallery of Modern Art, Edinburgh |
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| Anton Refregier Study for Mural at New York World's Fair 1939 oil on paper Smithsonian American Art Museum, Washington DC |
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| Winifred Nicholson Jake and Kate on the Isle of Wight 1931 oil on canvas Scottish National Gallery, Edinburgh |
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| Ben Nicholson Still Life 1932 oil on incised wood Guggenheim Museum, New York |
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| Walker Evans Subway Passengers ca. 1938 gelatin silver print Metropolitan Museum of Art, New York |
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| Pablo Picasso Cortège 1933 watercolor and ink on paper Buffalo AKG Art Museum, New York |
Therefore that Miracles have been I do believe, that they may yet be wrought by the living I do not deny: but have no confidence in those which are fathered on the dead, and this hath ever made me suspect the efficacy of reliques, to examine the bones, question the habits and appertinencies of Saints, and even of Christ himself. I cannot conceive why the Cross that Helena found and whereon Christ himself died should have power to restore others unto life. I excuse not Constantine from a fall off his horse or a mischief from his enemies upon the wearing those nails on his bridle which our Saviour bore upon the Cross in his hands. I compute among your Piae Fraudes, nor many degrees before consecrated swords and roses, that which Baldwin, King of Jerusalem returned the Genovese for their cost and pains in his war, to wit the ashes of John the Baptist. Those that hold the sanctity of their souls doth leave behind a tincture and sacred faculty in their bodies speak naturally of Miracles, and do not salve the doubt.
– Sir Thomas Browne, from Religio Medici (1642)